1.
A Discussion of the Creation of Short Novels between 1979 and 1986
崛起与繁荣——1979-1986年中篇小说创作之探讨
2.
The religious trace and fatalist element gradually reduced and his creative efforts became more steady and solid.
许地山以创作短篇小说和散文为主，《春桃》是其短篇小说中的名篇。
3.
《Black Cloth》 is a medium-length novel of Bi feiyu.
《青衣》是毕飞宇创作的一个中篇小说。
4.
The Concept of Life in Bai Xianyong s Short Stories;
论白先勇短篇小说创作中的生命意识
5.
Analysis the "Voter Awareness" of Kafka s Novels;
论卡夫卡长篇小说创作中的“选民意识”
6.
On creative style of Deng You-mei s medium-length novel NAWU;
论邓友梅中篇小说《那五》的创作特色
7.
An Overview of China Short Story Creation in 2008
2008年度中国短篇小说创作一瞥
8.
He began writing in 1930 and created many long and medium-length novels and short stories.
1930年起从事文学创作，著有长篇小说和中短篇小说多部。
9.
The Changes of the Stream-of-Consciousness Creative Techniques in Bai Xianyong s Short Story;
白先勇短篇小说中意识流创作手法的流变
10.
On the Creation Characteristics in A Rose for Emily;
解读短篇小说《献给爱米丽的玫瑰》中的创作特色
11.
Focusing literary sense on the living space--On Yu Hua s early novelettes and short stories;
围绕生存的空间——论余华早期的中短篇小说创作
12.
The Marketization Trend of the Novel Production in China in the 1990s;
论中国90年代长篇小说创作的市场化倾向
13.
Discussion on "I Think So I Am Here" in Dostoyevsky s Short Story Creation;
谈陀思妥耶夫斯基中短篇小说创作的“我在之思”
14.
The Definition of the Culture Identity of He Ruyu s Novel Creation --On Reading the Collection of the Novelettes "Upstairs and Downstairs;
何玉茹小说创作中的文化身份定位——读中短篇小说集《楼下楼上》断想
15.
The Third Way to the Writing of History Novel:On Narrative Art of Li Xu-yu s Novel Houtu;
历史小说创作的第三条道路——论李旭雨中篇小说《厚土》的叙事艺术
16.
Moral Sense: the Centre of Tie Ning s Fiction--on Tie Ning s Middle-short Fiction;
道德感:铁凝小说创作的核心——论铁凝的中短篇小说
17.
Barthelme’s Works: Reality Behind Absurdity--Glass Mountain as an Example;
巴塞尔姆小说创作:荒谬中的真实——以短篇小说《玻璃山》为例
18.
On the modernist novel′s creation characteristics in A Rose for Emily;
短篇小说《纪念爱米丽的一朵玫瑰花》中体现的现代派小说创作特点