1.
The “Use of Articles” Standard of “Lun Wen Xu Bi”in Wen Xin Diao Long;
《文心雕龙》“论文叙笔”的“文用”标准
2.
Rejuvenation of Xing Ming Xue and Liu Xie s " Discourse on Styles;
形名学的复兴与刘勰的“论文叙笔”
3.
A remark or an action in a play or narrative that becomes important later.
伏笔后来变得重要的戏剧或记叙文中的评论或情节
4.
Initiative Narration of the Great Cultural Revolution by the Writers of New Generation;
新生代作家笔下的成长性“文革”叙事
5.
Essay Writing and School Narrating Counseling:--A Research Report of Essay Writing and the Development of Middle School Students Character and Personality;
随笔文写作与学校叙事辅导——随笔文与中学生个性成长的研究报告
6.
The Theoretical Point for the Comparison Between Literary Narrative and Historical Narrative;
文学叙事与历史叙事比较的理论基点
7.
Modelity of Narration And Weight of Culture --On Death in the Works of Lu Xun;
叙事现代性与文化之重——试分析鲁迅笔下的“死亡”
8.
A Discussion on Syllepsis and Zeugma;
浅论英语修辞中的一笔双叙与轭式搭配
9.
Regard the Fiction as the Truth -Research on Yue Wei Cao Tang Bi Ji Written by JI Yun;
化虚构为见闻——论纪昀《阅微草堂笔记》的叙事特点
10.
Wen and Bi and the Literary Theory in the Six Dynasties:Distinction between Wen and Bi in Wen Xin Diao Long;
六朝“文笔”论与文学观——《文心雕龙》“文笔之辨”探微
11.
Application of Narrative Theory in Narrative Composition Teaching in Middle School;
叙事理论在中学叙事作文教学中的应用
12.
The Way to Communicate with the Folk--On the Significance of the Narrator of Country-side;
沟通民间的叙事策略——论乡土叙述者文学史意义
13.
On Narratologe and the Design of Narratives Reading Teaching;
略论叙事学及叙事文阅读教学选点设计
14.
The Real Starting Point of Chinese Narrative Literature:An account of the narrative art in Zuozhuan;
中国叙事文学的起点与开篇——《左传》叙事艺术论略
15.
Analysis of the functional characteristics of the narrative persons in the literary narrative activities;
论文学叙事活动中叙事人称的功能特征
16.
On the Difference between the Literary Narration and the Popular One: Taking the Story of "Tactics of Triangular Love Affair"for Example;
论文人叙事与民间叙事——以“连环计”故事为例
17.
Narrations on Hunting Park and Capital and the Entertainment Tendency in Han Dynasty
论汉代文人的苑囿叙事、都城叙事与俗乐运动
18.
The Defilade of The Other s Narration--The Analysis of the Text, Females Are Narrated,by the Great Male Masters of New Literature;
“他者”叙事的遮蔽——新文学男性大师笔下“女性被讲述”文本剖析