1.
Creating National Theater to Represent National Heart and Soul--Criticism of Yu Shangyuan s National Theater Theory;
创建表现民族精神和民族灵魂的中国剧——余上沅国剧理论评析
2.
From "Antagonism" to "the State of Being Chinese Plays"--Theory of"5·4" Drama;
从“对抗化”到“国剧化”:“五四”戏剧理论批评
3.
A Freudian Approach to an American Tragedy;
弗洛伊德心理理论分析《美国悲剧》
4.
The Research on U.S. Teleplay Marketing Based on 4Ps Theory of Marketing
基于4P理论的美国电视剧营销研究
5.
“Old Form" and “New Play" Theory and Practice of Popularization of China s Left-wing Drama;
“旧形式”与“新演剧”——论中国左翼戏剧大众化的理论与实践
6.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
7.
On the Aesthetic Characteristic of the Theory of Drama-opera Integration of Chinese National Opera;
论中国民族歌剧“戏歌综合”理论的美学特征
8.
On The Influence Of Chinese Culture On Blackhit;
论中国文化对布莱希特戏剧实践和理论的影响
9.
Application of the Speech Act Theory to the Translation of Chinese Huaju;
言语行为理论在中国话剧翻译中的应用
10.
A Relevance-Theoretical Approach to Humor in American Situation Comedy "Friends";
用关联理论解读美国情景喜剧《老友记》中的幽默
11.
A Study of Conversational Implicature: The Practical Application in China s Stage Plays;
会话含义理论在中国话剧作品中的应用
12.
Restriction and Breakthrough and Their Theoretical Significance in Classical Chinese Dramatic Forms;
中国古典戏剧形式的限制、突围与理论意义
13.
Spengler s Historical Theory and the Historical Tragedies of the German Nation;
斯本格勒的历史理论与德国民族的历史悲剧
14.
Rethinking the Theory of Left-wing Drama Popularization;
革命·国民·本土——左翼戏剧大众化理论的再思考
15.
The Development and Several Theoretical Issues of Chinese TV Series in the 20th Century;
20世纪中国电视剧的发展过程及几个理论问题
16.
From Wang Ji-de to Li Yu:a Main Theoretica Thread of Chinese Traditional Drama;
从王骥德到李渔:中国传统戏剧理论的一条主线
17.
On Narrating Structure Artistry In Chinese Ethic Story Film;
论中国伦理情节剧电影叙事结构艺术的创新
18.
The Emergence and Evolution of the Views on Theatrical History in Chinese Classical Theory of Historical Plays;
中国古典史剧理论中“曲史观”的形成与演进