1.
The Development and Transformation of Ancient Chinese Theory of Literature and Art into Its Modern Counterpart;
中国古代文论在现代文艺理论中的融通与转换
2.
Modern Literary and Artistic Theory in meaning ageinst feeling ;
浅谈“以意逆志说”蕴含的现代文艺理论观
3.
Discussion on the modernity development course of contemporary Chinese literature theory
论当代中国文艺理论发展的现代性路向
4.
On the Modernity Development of Contemporary Chinese Literature Theory
当代中国文艺理论发展的现代性问题思考
5.
On the Method of Literary and Artistic Appreciation--Review of Modern Chinese Theories of Literary and Artistic Appreciation (5);
文艺鉴赏方法论——中国现代文艺鉴赏理论述评之五
6.
On the Subject of Literary Appreciation --Review of Modern Chinese Theories of Literary Appreciation (2);
文艺鉴赏主体论──中国现代文艺鉴赏理论述评之二
7.
On the Nature of Literary Appreciation--Review of Modern Chinese Theories of Literary Appreciation;
文艺鉴赏本质论──中国现代文艺鉴赏理论述评之一
8.
Contribution of Cai Yi s "On New Art" to the Theory of Contemporary Chinese Literature;
蔡仪《新艺术论》对中国现代文学理论的贡献
9.
On the Languages-Shifting in Literature Theories Influenced by Modern Linguistics;
现代语言学参照下文艺理论中语言观念的转变
10.
Modern Theory of Mechanical Manufacturing Process ?
现代机械制造工艺理论
11.
From Literaturwissenchaft, Aesthetics to the Construction of Literary Aesthetics--On the Contribution of Kant to Modern Aesthetics;
从文艺学、美学到文艺美学建构——论康德对近现代文艺美学的理论贡献
12.
The Construction of Wen-yiduo s Earlier Poetic Theory & the Influence of the Western and Modern Literature Thoughts;
闻一多早期诗艺理论的建构与西方现代文艺思想的影响
13.
A GLANCE AT MODERNIZED TRANSFORMATION OF ANCIENT CHINESE LITERARY THEORIES;
中国古代文论现代转换之一瞥——艺术形象理论与艺术意象理论及其趋向融合
14.
Impact of Western Criticism on the Birth of Modern Chinese Literary Theory;
西方文论与现代中国文艺美学的发生
15.
On the New Subjects of Literary Theory in Consumption Age;
应对消费文化时代的文艺理论新课题
16.
The Interpretation of Traditional Poetics by Contemporary Literary Theories;
试论当代文艺理论对传统诗学的阐释
17.
A Tentative Study on the "Distinction between Word and Meaning" and Its Import to China s Art Philosophy in Ancient Times;
简论“言意之辨”与中国古代文艺理论
18.
Thinking about Adomo s idea of cultural industry and modern art;
关于阿多诺“文化工业”及现代主义艺术理论的反思