1.
On Relation between Vocal Music Technique of Drama and Aesthetics;
论戏曲教学中戏曲声乐技巧与审美的关系
2.
Opinions on the Reforms in Teaching Ancient Traditional Operas to College Students;
关于高校古代戏曲教学的思考与设想
3.
The Feasibility of Local Opera Teaching in College Public Ar Education and Its Teaching Methods;
高校公共艺术课中开展地方戏曲教学的可行性与教学方法研究
4.
Application of "Zhezixi" to Multi-media Instruction of Chinese Ancient Drama Curriculum
折子戏与戏曲相关课程的多媒体教学
5.
On Teaching of Opera Music in Junior Middele School;
让中国戏曲走近学生——初中段戏曲音乐的教学与实践
6.
Teaching: How to play Ravel s Jeux d eau;
拉威尔钢琴曲《水的嬉戏》的演奏教学
7.
Directing the Elegance into Teaching--Local drama resources permeating ancient literature teaching;
引雅入教——地方戏曲资源向古代文学教学的渗透
8.
On the Use of Singing Method of Traditional Operas in the Teaching of Vocal Music;
声乐教学中借鉴戏曲演唱方法诸问题刍议
9.
Strengthening Status of Drama Art in Basic Music Teaching;
加强戏曲艺术在我国基础音乐教学中的地位
10.
My Opinion about Teaching Reform of Chinese Ancient Opera Novel;
中国古代戏曲小说专题教学改革之我见
11.
From Academic Pursuit to Politics and from Politics to Drama--On"Balancing the Three Religions;
由学术而政治 由政治而戏曲——“三教论衡”简论
12.
Training and Protecting Boy Students Voice during the "Changing Sound Period" in Drama Performance Teaching;
戏曲表演教学中男生“变声期”的声音训练与保护
13.
Stage Technique Serves as the Strong Support for the Teaching Reform of Chinese Opera Stage Design
舞台科技是戏曲舞台设计教学改革的强劲助力
14.
English Songs and Games in the Teaching Skill Cultivation;
英语歌曲及游戏教学与高师英语教学技能培养的整合研究
15.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
16.
A graduator student of Shanghai Traditional Opera School, mainly acts 'Wu Chou' (a buffoon who has acrobatic and fighting skills in Kunju Opera).
上海戏曲学校首届昆曲班毕业，工武丑。
17.
A New Way of Inheriting Local Folk Music--Introducing Linchuan Opera Music to the Teaching of Sight-singing and Ear Training
地方民间音乐传承新路探索——临川戏曲音乐引入视唱练耳课堂教学
18.
Looking Closely at Traditional Opera from an Angle of Modernity --Comment on "Opera and Entertainment" by Prof. Chen Jiansen;
从当代性视角审视戏曲艺术——评陈建森教授《戏曲与娱乐》