1.
Minority Language in Song, Yuan, Ming and Qing s Traditional Operas;
宋元明清戏曲中的少数民族语(四)
2.
Minority Language in Song, Yuan, Ming and Qing’s Traditional Operas;
宋元明清戏曲中的少数民族语(三)
3.
Simple and Grandeur: the Aesthetic Style of Opera in Yuan-Ming-Qing Dynasties;
素朴与华丽：元明清戏曲美学风格嬗变研究
4.
The Evolution of Han Xiang s Immortal Stories and Its Development in Drama and Novel in YuanMingQing Dynasties;
韩湘仙事演变及其在元明清戏曲小说中的拓展
5.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
6.
Discussion Yuan Bright Drama to End of the Ming Dynasty Clear at the Beginning of Talented Men and Beautiful Women Novel Literary Style Seepage;
试论元明戏曲对明末清初才子佳人小说文体的渗透
7.
On the Positive Effect of the Family Music in the Ming and Qing Dynasties Upon the Performing Art of Traditional Chinese Opera;
论明清家乐对明清戏曲表演艺术的积极影响
8.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
9.
On the Schools of Legend Opera in the Jiangnan Area in the Ming and Qing Dynasties;
明清时期江南地区传奇戏曲流派考论
10.
On Social Significance of Female Emotion Education in Dramas of the Ming and Qing Dynasties;
论明清戏曲女性情感教育的社会意义
11.
Shanxi Immigrations’ Influence on Opera Arts During the Ming and Qing Dynasty
明清时期山西移民对戏曲艺术的影响
12.
Chinese Women s Self-consciousness Awakening--Analyzing Typical Characters Through Several Works of Yuan,Ming and Qing Dynasties;
中国古代女性自我意识的觉醒——元明清几部戏曲作品中典型人物形象的探析
13.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
14.
The Dramatic Literature of the Ming and Qing Dynasties in Gansu Province;
甘肃明清戏曲抄本初鉴兼论甘肃戏曲文化背景的历史成因
15.
On the Evolution of the Concept of Women s Chastity by Terms of the Legendary Drama in the Late Ming and Early Qing Dynasty;
论明末清初传奇戏曲中妇女贞节观念的嬗变
16.
Figures of "Woman Disguised as Man" in Novels and Dramas in Late Ming Dynasty and Early Qing Dynasty;
浅析明末清初小说戏曲中的“女扮男装”形象
17.
The Formulation of the Theory of Resentment Expressing and its Influence no Traditional Opera Writing of the Ming and Qing Dynasties;
写怨说的生成及其对明清戏曲创作的影响
18.
Dialogue and Monologue: Lyrical Patterns of Chuanqi Drama in the Ming and the Qing Dynasties;
独白与对话──论明清传奇戏曲的抒情方式