1.
Shanxi thespian art has a long history and a large variety,the formation,development and propagation of which is closely related to the businessmen from Shanxi.
山西戏曲艺术历史悠久 ,剧种繁多 ,它的形成、发展、传播与山西商人紧密相连。
2.
Drama Fostering Spirit:The Northern View of Drama-On Duan’s Doctrine of“Drama Fostering Spirit” in Jishan, Shanxi in Jin Dynasty;
戏养神:金代北方民间的戏曲观——山西稷山金代段氏“戏养神”砖铭论
3.
Shanxi Immigrations’ Influence on Opera Arts During the Ming and Qing Dynasty
明清时期山西移民对戏曲艺术的影响
4.
Analysis of the Relationship between Drama and Folk-customs in the View of Inheritance
浅析戏曲的民俗传承——以山西雁北一带的民间戏曲为例
5.
Drama and Revel--On the Performance of Chinese Opera in Malaysia;
戏曲与狂欢——马来西亚华语戏曲演出活动探析
6.
Initial Researches on the Comparison between Chinese Drama and Western Opera;
戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
7.
Researches on the Traditional Theatre Buildings in Shanxi Province--an analysis on the position of the stage;
山西寺庙戏场建筑研究——戏台位置剖析
8.
Opera Cultural Information Hidden in Dairy of Hut Wangshan (《 忘山庐日记》)
《忘山庐日记》蕴藏的戏曲文化信息
9.
The Wei County papercuts from Hebei Province and the Guangling papercuts from Shanxi Province are applied with colors and portray many opera figures.
河北蔚县和山西广灵剪纸加染色彩，浓厚中透着秀美艳丽。其戏曲人物尤具特色。
10.
The subject of Modern life in drama art view--Qi Rushan s reform theory of drama art;
戏曲艺术视域中的现代生活题材——兼论齐如山戏曲艺术改革理论
11.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一
12.
Cultural Traditions of Ghost-or-Spirit Image in CHinese Traditional:Opera and Western Drama;
中国戏曲与西方戏剧鬼魂形象的文化渊源
13.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
14.
The Study of Criticism Category to the West Chamber from Jin Shengtan;
金圣叹批《西厢记》的戏曲批评范畴研究
15.
Grammatical Phenomena of Hakka & Gan Dialects in Local Operas in Jiangxi;
江西地方戏曲中的客赣方言语法现象
16.
Analyzing the Aesthetic Thought on Drama in Zhou Ang's Zengding Jinpi Xixiang
周昂《增订金批〈西厢〉》戏曲美学思想评析
17.
The reclaimer of Chinese traditional opera research in 20th century;
20世纪中国古代戏曲研究的拓荒者——黄摩西戏曲理论批评简论
18.
On the Artistic Characteristics of the Implications in Huishan Clay Figurine and Kunqu Opera;
惠山泥人与昆曲—论手捏戏文的艺术特征