1.
The Characteristics of the Buddhist Pilgrim s Studying Sanskrit and Their Social Influence in the Han and Tang Dynasties;
汉唐求法僧梵文学习之特点及其社会影响浅论
2.
Rejoicing in the Happiness of Others (in Sanskrit, mudita)
乐(梵文： “mudita″);
3.
Compassion (in Sanskrit, karuna)
慈(梵文： “karuna″’);
4.
Equanimity (in Sanskrit, upekkha)
平(梵文： “upekkha″)。
5.
Friendliness (in Sanskrit, metta)
和 (梵文：“metta”)：
6.
Leo Ou-fan Lee's study of Chinese modern literature and the significance in literary history
李欧梵的中国现代文学研究及其文学史意义
7.
The Pursuit of Modernity: The Research on Leo Ou-Fan Lee's Literary and Cultural Theory
追寻现代性：李欧梵文学与文化理论研究
8.
Major Achievements in the Classic Sanskrit literature and Their Influence in the World;
梵语古典文学的主要成就及其在世界上的影响
9.
The early Sanskrit in which the Vedas are written.
吠陀梵文用于写吠陀的一种早期梵文
10.
Scholars, who have made a study of Buddhism, hardly suspected that there were also books on Buddhism in Sanskrit.
凡是做佛教学研究的学者很少会去怀疑佛典是用梵文写的。」
11.
These words are called mantra in Sanskrit.
梵文管这些话叫符咒。
12.
Indian grammarian whose grammatical rules for Sanskrit are the first known example of descriptive linguistics (circa 400 BC).
（约公元前400年）他的梵文的语法规则是描写语言学的第一个先例。
13.
The classic Sanskrit literature flourished on the basis of the Vedic and Epic literature.
梵语古典文学是在吠陀和史诗的基础上发展起来的。
14.
The Self-realm of Historical Imagination:Modernity and Lee Leo Ou-fan s Imagination of Modern Chinese Literature;
历史想象的有我之境——现代性与李欧梵的中国现代文学想象
15.
On the Modernistic Representation in Lee Leo Ou-fan s Criticism;
徘徊在现代与后现代之间——李欧梵文学批评的现代性视野
16.
"Cursing" and "Forgetting" --On the Art of Shakuntala;
"诅咒"与"遗忘"的文学功能——梵剧《沙恭达罗》的艺术构造
17.
Spatial Experiences of Modernity of Chinese Literature: A Discussion with Mr. Li Oufan
中国文学现代性的空间体验——兼与李欧梵先生商榷
18.
An ancient Indic language that is the language of Hinduism and the Vedas and is the classical literary language of India.
梵文一种古印度语，为印度及吠陀经所用文字，也是印度的古典文学语言