1.
A Brief Talk on Schiller S Comic Theory and the Produce of Humorous Comedy in China;
浅谈席勒的喜剧观和中国幽默喜剧创作
2.
Shengguantu and Political Satirical Comedy -- A Study on Chen Bai-chen s Creation of Comedy;
《升官图》与政治讽刺喜剧——陈白尘喜剧创作片论
3.
Moliere s Comedy Creation And The Turning Of Western Dramatic Narrative Model;
莫里哀喜剧创作与西方戏剧叙事范型的转换
4.
The cereation of the comedy of satire may be rated drawing lessons from certain experience as an example:Summarizing the “Satire” of Moliere’s Comedy;
讽刺喜剧创作可资借鉴的范本:莫里哀喜剧之“讽刺”综论
5.
The Factor Comparison of Both Li Yu And Mo Li-ai Engaged in Comedy Creation;
李渔与莫里哀从事喜剧创作的层因比较论
6.
How to Make Laugh: The Study and Analysis on Create Skill & Comedy Effect of Chinese Sitcom;
笑从何处来——中国情景喜剧的创作策略与喜剧效果分析
7.
Comedy of Northeastern Writers Group's Creation in Field of Folk Life
民俗生活场域中东北作家群创作的喜剧性
8.
They are fond of playing pranks.
他们喜欢恶作剧· ．
9.
and in 1938, he composed the Hitler-favored opera The Day of Peace.
1938年，创作深为希特勒喜爱的歌剧《和平日》。
10.
On the Creative Situation of the Situational Comedy in China;
酸甜苦辣皆情景——试论国产情景喜剧的创作现状
11.
A drama combining elements of tragedy and comedy.
悲喜剧一部结合了悲剧和喜剧成分的剧作
12.
As an independent producer, he devised and staged many screen comedies, in which he also played the leading parts.
作为一名独立的制片人，他创作并上演了许多银屏喜剧，在这些喜剧中，他也都扮演了主角。
13.
He likes action movies but doesn't like comedies.
他喜欢动作片但是他不喜欢喜剧片。
14.
Italian comedy of the 16th to 18th centuries improvised from standardized situations and stock characters.
16到18世纪的意大利喜剧，根据程式化的情景和角色即兴创作而成。
15.
The Misunderstanding in the Writing of Introduced Sitcom and Its Localization in China;
引入式情景喜剧的创作误区及本土化发展问题研究
16.
The Creation of Performance in Comedies of the 17 Years of Chinese Films;
“丑”与“美”的对立统一——浅析“十七年”电影中的喜剧表演创作
17.
The Integration of Intelletual Ideology, Worldly Tendencies and Social Norms──The Orientation of Li Yu s Comedy Creation;
整合文人理想、世俗倾向与社会规范——李渔喜剧的创作定位
18.
Li Jian-wu s Comedies and Their Humanistic Foundation;
试论李健吾喜剧的人学基础及其在创作中的体现