1.
Rethinking the Theory of Left-wing Drama Popularization;
革命·国民·本土——左翼戏剧大众化理论的再思考
2.
“Old Form" and “New Play" Theory and Practice of Popularization of China s Left-wing Drama;
“旧形式”与“新演剧”——论中国左翼戏剧大众化的理论与实践
3.
a transpontine hero
大众化戏剧中的主人公
4.
CULTURAL PERSPECTIVE OF THE PLAYS OF THE THREE KINGDOMS OF THE YUAN DYNASTY;
士人与大众文化心理的交融——元杂剧三国戏的文化透视
5.
On Public Taste and Happy Ending of Chinese Classical Drama;
大众品位与中国古典戏剧大团圆结局
6.
The people in the theater enjoyed the play and clapped loudly.
剧场里的观众很欣赏这个戏，大声鼓掌。
7.
Theatre as a "School for the People": A. Grigoriev s Idea of a National Theatre;
“戏剧是人民大众的学校”——格里高里耶夫民族戏剧观评析
8.
The Research of "Drama" Magazine in the Ara of Populace Drama Mass Organization;
民众戏剧社时期的《戏剧》杂志研究
9.
Interpreting Why Chinese Ancient Operas Always End Reunion from the Angle of Audience;
从观众角度解读中国古代戏剧的大团圆结局
10.
His dramatic acting style and witty humor delighted the audience.
观众们很欣赏他戏剧化的演技和诙谐的幽默感。
11.
participatory theatre
观众参加演出的戏剧
12.
The popularization is the most important and widely discussed theoretical problem proposed in Chinese left-wing drama movement.
大众化是中国左翼戏剧运动中所提出的最重要,讨论也最广泛的理论问题。
13.
CHANGE BRINGS ABOUT NEW LOOK--A Study of Functional Concept on Drama in the Rear Area During the War of Resistance Against Japanese Aggression;
变化出万象——论大后方戏剧的功能选择
14.
Historical Clash of Chinese and Western Drama Culture:On the "Three Systems of Dramatic Performance"
中西戏剧文化的历史性碰撞——关于“三大戏剧表演体系”
15.
a theatrical pose; one of the most theatrical figures in public life.
戏剧性的姿势；公众生活中最富戏剧性的人物。
16.
Mass Associations and the Development of Dramatic Culture in Xinjiang in the Middle of Twentieth Century;
二十世纪三四十年代新疆民众团体与新疆戏剧文化的发展
17.
On Chen Dabei "Beauty-Love" Theory of Drama and Drama of Life;
论陈大悲“爱美的”戏剧理论与戏剧人生
18.
Most of these works borrowed from the creative experience of major Western operas in their efforts to solve the problems of musical dramatization.
其中大多借鉴西洋大歌剧的创作经验，力图解决音乐戏剧化问题。