1.
Thenature of Literary under the Cultural Studies in the New Period
新时期文艺学文化转向下的文艺本质观
2.
Reading of Das Ursprung des Kunstwerkes;
《艺术作品的本源》解读——海德格尔艺术本质观初探
3.
The Intrinsic Meanings of Men of Letters "Art for art s sake" during the Period of Jian an;
建安文人“为艺术而艺术”的本质内涵
4.
Imagination:the Real Art--Colling Wood s Idea of the Nature of Art;
想象:真正的艺术——论科林伍德艺术本质观
5.
Aesthetics Methodology and Artistic Nature Viewpoints --Aesthetic Nature of Art through the Eastern and Western Classical Aesthetics;
美学方法论和艺术本质观——从东、西方古典美学看艺术的审美本质
6.
Ideology and Material -Review of “The Current Morphology About the Theory of Literature and Art” Edited by DONG Xue-wen;
观念与物质——评董学文的《文艺学当代形态论》
7.
On Discussing the Nature of ‘Three Characters’ of the Natural Characteristics of Art;
论文艺本质特性的“三态”构成之内涵
8.
Ontology of Literary Structure --On René Wellek s Theories of the Nature of Literature;
文学结构本体论——论韦勒克的文学本质观
9.
Freud s Conception of Literature and Art: Literature and Art Is the Sublimation of Sexual Instinct;
弗洛伊德的文学艺术观:文学艺术是性本能的升华
10.
Engineering Culture from the Perspective of the Engineering Essence of "Processlism";
从“过程主义”的工程本质观看工程文化
11.
Discussion About the Essence of Shen Cong-wen s "Country Folk";
探析沈从文“乡下人”观念的基本特质
12.
From Xiong Shili to Xu Fuguan:Location of Literature and Art as for Human Mind;
从熊十力到徐复观:就本源而言的文艺定位
13.
Novel concept and artistic feature of Tan Hai of Japan written in classical Chinese;
日本汉文言小说《谭海》的小说观念及艺术特色
14.
Essence of Arts and Ideology--On Pospelov s Thought of Ideological Essence of Arts;
文艺本质与意识形态——波斯彼洛夫的艺术意识形态本性论述要
15.
Traditional Features of Calligraphic Art and Views on Esthetics of Calligraphy;
书法艺术的传统特质与书法美学的文化观照
16.
Lu Xun s description of art essence and duty at his later times--On Art and Revolution and others;
鲁迅后期对文艺本质与职能的描述——《文艺与革命》及其他
17.
The Humanity Principle in Creation of Literature and Art--On the Duality of the Spiritual Nature of Literature and Art;
文艺创作的人学原则——兼论文艺精神本质的二重性
18.
On the Nature of Literary Appreciation--Review of Modern Chinese Theories of Literary Appreciation;
文艺鉴赏本质论──中国现代文艺鉴赏理论述评之一