1.
On the Inheritance and Creation of the Image of Monk Lu Zhishen in Tales of the Marshes;
论《水浒传》中鲁智深僧人形象的继承与创新
2.
Falling Low of Humanity and the Vanishing Spirit;
人性失落而不知归路的灵魂——《僧侣》人物形象分析
3.
The Tang Priest, Monkey, Pig and Friar Sand characters from the Book are popular images among Chinese people.
小说中的唐僧、孙悟空、猪八戒、沙僧等人物形象,在中国家喻户晓,老幼皆知。
4.
On Images of Buddhist Monks and Its Cultural Implication of Imprudent Discourse of a Wild Old Man
《野叟曝言》中的僧徒形象及其文化意蕴
5.
Culture Encounter and Alien Imagination:the Image of Indian Monks in Tang Literature
文化遭遇与异族想象:唐代文学中的天竺僧形象
6.
On Images of Shaseng in Journey to the west;
美德与奴性的结合——浅析《西游记》中沙僧形象
7.
An Analysis on the Vulgarization of Buddhism and Taoism
从明代小说中的僧道形象解读佛道世俗化
8.
The cowl does not make the monk.
僧袍不能使人成为僧侣。
9.
This paper reveals the effect to subject through the discussion of the refection of the chergy and female images to the warrivr value.
此外,通过作品中僧兵与女性形象对武士价值观的映衬作用的探讨,揭示了它们在主题中的作用。
10.
Even so, by the mid-thirteen hundreds, European paintings were depicting monks wearing eyeglasses.
尽管如此，到十四世纪中叶，欧洲的绘画中已经出现了戴眼镜的僧侣的形象。
11.
Monkey, Pig and Friar Sand had a fierce fight with the evil spirit and there was nobody to protect the Master. Tang Priest was again taken into the cave by the evil spirit.
悟空、八戒、沙僧大战女妖,唐僧无人保护,又被捉走。
12.
A Buddhist monk, especially of China, Japan, or nearby countries.
僧人佛教徒，尤其指中国、日本或附近国家的僧侣
13.
Lama A-chos suggested wrapping his friend's body in a yellow robe, the type all Gelug monks wear.
喇嘛阿曲（布阿曲的侄子）议用黄袍包裹他朋友的遗体，象所有格鲁的僧人穿的那样。
14.
STUDY ON "MONK PHENOMENON" OF SINO-JAPAN CONTACT IN THE NORTHERN SONG DYNASTY;
浅析北宋时期中日交往中的“僧侣现象”
15.
The plump shadowed face and sullen oval jowl recalled a prelate, patron of arts in the middle ages.
他那郁郁寡欢的胖脸和阴沉的椭圆形下颚令人联想到中世纪作为艺术保护者的高僧。
16.
an impressionistic portrayal of a person.
给人深刻印象的人物形象的塑造。
17.
represent, as of a character on stage.
舞台上扮演人物形象。
18.
characters lacking in flesh and blood.
缺乏生命力的人物形象