1.
The Enlightenment That the Concept of "Dao" and "Technique" in Zhuang-zi s Thought to the Painting Creation and Education;
庄子“道”“技”观对绘画创作和绘画教育的启示
2.
Brief Analysis of Drawing Creation Conception;
“心迹”绘画的探索与研究——浅析绘画创作心态
3.
Origin for Imitation as A Way of Creation;
仿作为中国古代绘画创作方式的成因
4.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
5.
Human and nature in painting creation--therandom thoughts of heaven and man comhined into one
绘画创作中的人与自然——天人合一随想
6.
Personal Visual Experience: Motive Force of Painting Creation;
个人视觉体验——绘画创作的推动力
7.
Liu Yuyi and his painting creation;
盛世丹青——刘宇一和他的绘画创作
8.
On the unity of Han Xi Zai′s Picture of Night Feast and Diversiforms of Works of Art;
论《韩熙载夜宴图》的绘画创作艺术
9.
The Irresistible "Magic Power" in Artisitc Creation
绘画创作中不可抗拒的“神”性力量
10.
The Essential Feature of "Fang" as an Ancient Way of Chinese Painting;
“仿”作为中国古代绘画创作方式的本质特性
11.
From“the Painting of the Image”to“the Image of the Painting” --On the Creation of the “Instrument Serial”;
“形象的绘画”到“绘画的形象”——从“乐器系列”创作谈起
12.
The Thinking of Oil Painting's Scenery Creation out of the Chinese and Western Drawings
从中西绘画比较中思考油画风景创作
13.
To make(a picture) with paints.
绘画用油漆作（画）
14.
Try to discuss appreciation in creation for art of painting;
试论鉴赏力在绘画艺术创作中的作用
15.
Seeking Emotional Ideal of Chinese Painting in Creating Oil Painting──An explanation in creating oil painting 《Ancient Charms at Min Nan(Southern Fujian)》;
在油画创作中寻找中国绘画的情感境界——《闽南古韵》油画创作阐释
16.
From Creation to Appreciation --Thinking about the Subjectivity of Painting;
从创作到欣赏——关于绘画主体性的思考
17.
Appropriate whether Heavily or Lightly Painted --On Picturequeness of Zong Pu s Writing;
淡妆浓抹总相宜——谈宗璞创作的绘画美
18.
ABOUT MORALE AND PSYCHOLOGY IN ARTISTIC CREATION AND APPRECIATION OF PAINTING;
试论绘画艺术创作及欣赏的情绪心理