1.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
2.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
3.
On the Contemporary Research System of Classical Dramaturgy;
论当代古典戏曲理论研究体系的建立及其内涵
4.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
5.
Influence and Infiltration of Chinese Classical Operas on Classical Novels;
论中国古典戏曲艺术对古典小说的渗透与影响
6.
On the Function of Chinese Opera-house in Chinese Traditional Opera;
论戏楼在中国古典戏曲艺术发展中的作用
7.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
8.
On Wang Guowei s Contradietion of Aesthetic Values of Chinese Opera--also on the poetic character of Chinese classical opera;
论王国维对中国古典戏曲审美价值观之矛盾——兼论中国古典戏曲的诗性特征
9.
Different Ways but the Same Aim:the Tentative Discussion about the Description of Ghosts and Supernatural Beings of Chinese Ancient Drama;
殊途而同归——略论古典戏曲中的鬼神描写
10.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
11.
The Lyrical Characteristics on Ancient Chinese Drama-Measured by Traditional Play Theory and Western Play Theory;
传统曲论与诗学参照下的中国古典戏曲的抒情特征
12.
The reclaimer of Chinese traditional opera research in 20th century;
20世纪中国古代戏曲研究的拓荒者——黄摩西戏曲理论批评简论
13.
On the Philosophical Idea of“Taking the Human Factor as the Basics” in China’s Ancient Traditional and Local Operas;
论古代戏曲导演理论“以人为本”的哲学理念
14.
The Origin of Ancient Qilu Drama and the Prosperity of Shandong Yuan Drama--One of the Discussions of Ancient Qilu Drama;
齐鲁古典戏曲溯源及山东元杂剧兴盛初探——齐鲁古典戏曲述略之一
15.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
16.
On the Academic Achievements and Value of Documents of ZHENG Zen-duo s Arrangement of Ancient Books and Records of Traditional Opera;
论郑振铎戏曲典籍整理的学术成就与文献价值
17.
On the Concept of Performers′Cultivation by“Combing Their Inner World with the Outside”in Ancient Chinese Opera Theories;
论中国古代戏曲理论“内外结合”的演员修养观
18.
Values of attaching importance to Enlightenment by education on the ancient Chinese theory of directing;
“注重风教”的价值观念——论古代戏曲导演理论