1.
The Research of ChuCi s JiuGe and the Sacrifice Culture in Chu;
《楚辞·九歌》与楚地祭祀文化研究
2.
Again on the Bamboo Letters for Memorial Ceremony Discovered from Chu s Tombs and Nine Elegies in the Songs of Chu;
再论楚墓祭祀竹简与《楚辞·九歌》
3.
Poetry Chuci Jiuge s Ancestor Worshiping and Its Esthetic Significance;
《楚辞·九歌》的祖先崇拜及其美学意义
4.
The Difference between the Cultual of North and South in the Sacrificial Offering Poem of Shijing·Zhousong and Chuci·jiuge;
从《诗经·周颂》与《楚辞·九歌》祭祀诗的祭祀对象看南北文化的差异
5.
Cultural Interpretation of the Mysterious Number “jiu(nine)” in the Poetry of the South:A Decoding of “Nine Songs”,“Nine Skies” and “Nine Suns”;
《楚辞》神秘数“九”的文化意蕴——解读“九歌”、“九天”、“九阳”
6.
The Relationship between ChuCi·JiuGe·HeBo and the Principle of Sacrifice within Owned Territory;
《楚辞·九歌·河伯》与“祭不越望”辨
7.
There exists a special group of plants in Nine Songs from Elegies of Chu, whose vigorous growth symbolizes their vitality.
《楚辞?九歌》存在着一个具有特殊意义的植物群。
8.
The Different Names of Gods and their meanings Recorded in Bamboo Slips Found in Chu Kingdom s Tombs and Jiuge;
楚墓竹简所记神祇与《九歌》神祇之异同及其在楚辞学上的意义
9.
A study of "e zhu" in Chuci Jiuzhang Shejiang;
《楚辞·九章·涉江》“鄂渚”索考
10.
Poetry with Seven Characters in a Line Did Not Originate from the Mode of Poetry of Chu --Proceeding from the comparison between Song of Harmony·Today There Are People and The Nine Songs·The Spirit of the Mountains;
七言诗并非源于楚辞体之辨说——从《相和歌·今有人》与《九歌·山鬼》的比较说起
11.
New Vision of “Chu Ci” Study--Evaluation of Chen Pu-qing s “Nan Chu Wu Ge Hua Wei CI”;
《楚辞》研究的新视角——陈蒲清《南楚巫歌化纬辞》评析
12.
On the Relationship between the Songs of the South in Pre-Qin & the Poetry of Medial State in Term of the Character "xi";
从“兮”字看先秦楚歌、《楚辞》和中原诗歌的关系
13.
REVERSE──A NEWLY RECOGNIZED RHETORIC DEVICE IN TO THE LORD OF RIVERXIANG ANDTO THE LADY OF RIVER XIANG AND THE REVERSED BALLAD BALLAD IN HUNAN;
《九歌》“二湘”倒反辞与湖湘民间颠倒歌
14.
A Phonic and Semantic Analysis of “诵”and the Musical Feature of Chuci(Elegies of Chu);
“诵”字的音义辨析与楚辞的歌乐特质
15.
On the Jiu Ge s Attribute from the Bamboo Slips Unearthed in Chu Tombs;
从战国楚墓祭祀竹简看《九歌》的属性
16.
However, the standard and assimilation derive from the frequent use of the character "xi".
“兮”字在楚歌和楚辞中的大量运用正是雅正和被同化的结果。
17.
A SURVER OF THE INTERNATIONAL SYMPOSIUM OF CHU CI, 2002 AND THE 9TH ANNUAL MEETING OF CHINA QU YUAN ASSOCIATION;
2002年楚辞学国际学术研讨会暨中国屈原学会第九届年会论文综述
18.
Narration of the Cultivation History of Cymbidium;
猗猗九畹易消歇 奕奕百亩多淹留──兰花栽种历史考述兼释《楚辞》之“兰”