1.
Discourse in the Model Operas, its Inheritance and Deviation from the Ancient Chinese Opera;
“样板戏”话语对传统戏曲话语的传承与偏离
2.
Impact of the Traditional Theatre on Spoken Drama
中国传统戏曲对话剧舞台艺术的影响
3.
Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;
没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
4.
Between Tradition and Modern --An Explanation to Cao Yu s Dramatic Speech;
传统与现代之间——曹禺戏剧话语的一种阐释
5.
Explaination and Application of the Chinese Traditional Opera Vocabulary in Different Context;
中国传统戏曲语汇在不同语境中的现代性解读及应用
6.
Cartoons of Drama Creatively Changing Traditional Drama Art
论戏曲动画片对传统戏曲艺术的创造性转换
7.
On the Precious Materials of Folk Operas:A Review of the Traditional Theatrical Piece of Siping Opera
研究民间戏曲的珍贵资料——《四平戏传统剧目》述评
8.
Domestication and Foreignization of Shakespeare s Drama in Chinese Traditional Opera-Two Adapted Versions of Hamlet in Peking Opera and Shaoxing Opera;
莎剧在中国传统戏曲中的归化与异化
9.
The Effects of Traditional Martial Arts Repertoire on the Fighting Formation in Drama;
传统武术套路对戏曲武打形成的影响
10.
A Probe into the Operating Mechanism of the Social Educational Functions of the Traditional Opera;
传统戏曲社会教化功能作用机理探微
11.
The Relation between Quanzhou Opera,Folk Dance and Traditional Religion;
泉州戏曲、民间舞蹈与传统宗教之关系
12.
Pre-Modern Reformation of the Stage Practice in Chinese Traditional Theatre
论中国传统戏曲舞台实践的近代变革
13.
The Breakthrough of the Traditional Ideas of Dramatic Criticism by L(u|¨) Tiancheng’s“Qupin”;
试论吕天成《曲品》对传统戏曲批评观念的突破
14.
Dialogue and Monologue: Lyrical Patterns of Chuanqi Drama in the Ming and the Qing Dynasties;
独白与对话──论明清传奇戏曲的抒情方式
15.
"Much of China's puppetry involves adaptation of traditional Chinese operas, and combines singing, dancing, and dialogue. as you know, the figures are primarily manipulated with sticks or strings."
中国的木偶艺术综合了中国传统的戏剧，歌曲，舞蹈和对话。你知道，木偶常用线或木棍操纵。
16.
Return of Tradition;
回归传统——论中国当代先锋戏剧对中国传统戏曲的借鉴陈吉德
17.
The Effect of the Spread of New Media on Chinese Traditional opera
新媒体传播对中国传统戏曲艺术的影响
18.
On the Ecological Advantages of the Chinese traditional Oral Operas;
口口相传“和(hùo)实生物”——试论口语戏曲生态优势