1.
BRUSHWORK RECONSTRUCTION OF TRADITIONAL FOLK ART UNDERGLAZE BLUE PAINTING BY ITS CONTEMPORARY COUNTERPART
浅谈现代青花对传统民间青花笔墨的再造
2.
Analysis of Producing Area and Characteristics of Blue and White Porcelain Produced by Modern Folk
浅析我国现代民间青花瓷制作的产地与艺术特征
3.
The Xinzhou Flowers Cultural Tourism Festival originated from the flower temple fair.
树发芽，草返青，花朝赶集去乡亲……”新洲区旧街花朝文化旅游节，源于民间花朝庙会。
4.
World Youth Folk Festiva
世界青年民间音乐节
5.
A Chinese porcelain with a blue-and-white pattern.
青花瓷蓝白相间图案的中国瓷器
6.
Does Hope Lie in Folk Text?-- A Criticism on " Folk Memorandum Text about the Educated Youth of China;
希望在于民间文本?——评《中国知青民间备忘文本》
7.
Research on Expressions of Folk Language
民俗语言表述之初探——以青海民间民俗语汇为例
8.
A discussion of the folk world in LIN Bai s All Things Blossom;
民间的飞升——评林白《万物花开》的民间世界
9.
the hua'er of the Hui and Han peoples of the Ningxia Hui autonomous Region, and Gansu and Qinghai provinces;the herding songs of various ethnic groups in the Xinjiang Uygur autonomous Region;
宁、甘、青地区汉、回等族的"花儿"，新疆各民族的"牧歌"，
10.
Research on Ming Dynasty Blue-and-white Porcelain from Civilian Kilns at Jingdezhen Found in Tombs with Dated Inscriptions in Jiangxi;
江西纪年墓出土明代景德镇民窑青花瓷研究
11.
The Relation between the Style of Huar Tune in Qinghai and Multinational Culture;
青海花儿曲令风格与多民族文化关系浅议
12.
Study on Jingdezhen civil kiln blue and white porcelains of Ming Dynasty excavated at Maojiawan ruin by EDXRF
毛家湾出土景德镇明代民窑青花瓷的EDXRF研究
13.
THE EMBODIMENT OF NATIONAL RELIGIOUS CULTURE IN THE CREATION OF THE BLUE AND WHITE PORCELAINWARES
民族宗教文化在青花陶瓷创作中的体现
14.
The rose is red, the grass is green,
玫瑰花红，青草青青，
15.
Pharmacognostic Identification of Dried Twigs and Leaves of Taraphochlamys affinis (Giff) Bremekhu
广西民间药六月青的性状与显微鉴定
16.
Making a comparison between on Yuan s《call - back the spirit of the dead》and folk customs in Qinghai;
屈原《招魂》与青海民间招魂习俗之比较
17.
Cultural Space and City Life Based on Qingdao in the 1920s-30s
民国时期青岛的文化空间与日常生活
18.
About the Folk Taboo Culture in Qinghai and its Social Function
青海民间禁忌文化的特点及社会功能