1.
A Pair of Peaks: Tong Cheng & Xin’an--On the Internal Motive for Yao Nai to Establish Tong Cheng Literary Orthodox;
桐城与新安:双峰并峙——论姚鼐建立桐城文统的内在动因
2.
The Formation of the Tong City Parties and the Explain of the Ancient Literary Style Theory Meaning;
桐城文派的形成及其古文理论意义之阐释
3.
A Superficial View on the Common Char acteristics of Tongcheng Culture and Huizhou Culture during Ming &Qing Dynasty;
浅谈明清时期桐城文化与徽州文化的共同特征
4.
Great Declaration of the Development of Tong Cheng Group--Analysis of Zeng Guo - fan s Preface to Ou Yang Sheng Collected Works;
桐城文派“中兴”的一场大气磅礴的“宣言” ——曾国藩《欧阳生文集序》析论
5.
An Extensive Literature Commentary Portrait of Tong Cheng Group--Analysis of Zeng Guo-fan s Sage Portrait Record;
桐城文派一篇恢弘的文学评论大写真——曾国藩《圣哲画像记》析记
6.
On Xue Fucheng, One of the Prose Giants of Xiang Xiang School;
六经之内所未讲 桐城文家所不为——评湘乡派散文家薛福成
7.
Remarkable and outstanding hurnorous and unrestrained --On Zeng guofan developing Tong Cheng group manliness;
瑰玮俊迈 诙诡恣肆——曾国藩对桐城文派阳刚风格之张扬
8.
The First Person learned TongCheng School Prose in Guangxi --Chen Ren s Prose Creation;
广西文学桐城第一人——陈仁的古文创作
9.
Xiyang Zazhi-A Manifestation of the Prose Modernization of the Tongcheng Literary School;
《西洋杂志》——桐城散文近代化的一段轨迹
10.
On Yao Nai s Travel Notes on Climbing the Taishan Mountain viewed from the ancient prose of Tongcheng School;
从桐城派的古文谈到姚鼐的《登泰山记》
11.
A Case of Nanshan Ji and the Declining of Fang Noble Family in Tongcheng
《南山集》案与桐城方氏文化世族的衰落
12.
On relation of Wang Kaiyun and Tongcheng School;
王闿运与桐城派——论王闿运文学思想的另一渊源
13.
The Transformation of Prose Writing of the Tongcheng School Exhibited in A Diary of the Experiences of An Ambassador to England,France,Italy and Belgium;
《出使英法义比四国日记》所昭示的桐城散文变革
14.
On Zhuang Zi′s Influence upon the Forming of the Literary Opinion of the Tongcheng School;
试论庄子对桐城派文学主张形成的影响
15.
The Doctrine of Yifa: Departure and Foundation of Tong Cheng School’s Artistic Theory on Ancient Literature;
义法说:桐城派古文艺术论的起点和基石
16.
Twine and Fission--Understanding the Modernaity of Tong Cheng Prose from the Economical Viewpoint;
胶着与裂变——从“经济”观看桐城派散文的近代化
17.
DAI Ming-shi was, by contrast, more open and adaptable than the rest of Tong Cheng School.
相对于桐城派后学来说,戴名世的文学思想要开放得多。
18.
From Anthology of Classical Prose to Collection of Historic Classical Works--On the Coherent Relation between Zeng Guo-fan and Tongcheng School;
从《古文辞类纂》到《经史百家杂钞》——论曾国藩与桐城派的承传关系