1.
On the "Reversion" of Future Dramas to Nuoyuanxi;
试论未来戏曲向傩愿戏等祭祀戏剧的“返祖”
2.
Drama and Revel--On the Performance of Chinese Opera in Malaysia;
戏曲与狂欢——马来西亚华语戏曲演出活动探析
3.
Night fell.From the loud speakers came local opera tunes.
夜色降临，喇叭里传来地方戏的曲调。
4.
The compilers of the Complete Works of Chinese Classics despised operas and novels, so writings of the two categories were not taken in by the collection.
四库馆臣对戏曲、小说持鄙视态度，一概未予收入《四库全书》。
5.
A view of“ZHI”,the Spoken Music of Chinese Traditional Operas;
小往大来“一”之“多”——“徵”口语戏曲音乐大家族管窥
6.
From One to Many,(as in Business Dealings)--A limited view of “ZHI”,the spoken music of Chinese traditional operas;
小往大来“‘一’之‘多’”——“徵”口语戏曲音乐大家族管窥
7.
The Summary of the Research on Relationship between Xinxueand the Drama-fiction in Ming Dynasty Since 20~(th) Century;
20 世纪以来心学与明代戏曲小说关系研究综述
8.
Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv
从《曲律》看戏曲文献对戏曲研究的功用
9.
"By then, however, a new form of theatre, the Peking Opera, was already in the ascendancy, which was based on many local theatrical forms, including the Kunqu."
到那时，另一种戏曲，平剧却已开始流传开来，平剧是融和许多地方戏包括昆曲而成的。
10.
Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera;
戏曲程式与人物性格——戏曲表演艺术谈
11.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
12.
Models for "Dramatization"and"Modernization"in the Current Dramatic Works;
当代戏曲“戏曲化”与“现代化”的范例
13.
China Drama's Development Prospect from Drama Development History
从戏曲发展史看中国戏曲的发展前景
14.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
15.
Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"
戏曲剧本的文献价值与“以戏证戏”
16.
Xiju" and "Xiqu"--Reading Commentary about Wang Guo-wei s Works;
也说“戏剧”与“戏曲”——读王国维戏曲论著札记
17.
Reconsiderations of the Features of Traditional Opera;
戏曲特征再认识——质疑《中国大百科全书·戏曲·曲艺》卷概论《中国戏曲》
18.
From here came the customary title of the Chinese opera circle, "The Pear Garden"; and the opera performers are still called "students of the pear garden"today.
这也是我国戏曲界习称"梨园行"，演员称"梨园弟子"的由来。