1.
Discussion on style and characteristic of Sanqu in the Whole Sanqu Collection of Ming Dynasty
论《全明散曲》所收散曲的体式及其特征
2.
On the renaissance of Sanqu in the middle of Ming Dynasty;
论词场才子之曲与明中叶散曲之复兴
3.
New Insights into the Play “Zhou Zhuangzi Tan Kulou” Published In Ming Dynasty;
明刊戏曲散出《周庄子叹骷骸》新探
4.
An Andrew Sanqu in Ming Dynasty Linchuan we lost with the return of Chen Keming;
明代临川散曲大家陈克明的走失与回归
5.
Authors Good Selection on the Right Sanqu with Distinct Character--Comments on YuanQu 300 Shou XinBian Writeen by Yang-Chunqiu;
曲家选曲 特色鲜明——读羊春秋选编的《元散曲三百首新编》
6.
An analysis of the non-dramatic songs on sentimental topics in early Qing Dynasty;
由明入清散曲麦秀黍离主题的书写形态初探
7.
On the Historic Significance of Awakening the World by Zhu Zaiyu at the End of Ming Dynasty;
论明末朱载堉的散曲集《醒世词》的历史价值
8.
"Qingming Shanghe Picture" in the Mid Ming Dynasty An Analysis of CHEN Duo s Sanqu Collections of Funny-Odd Rhyme and Fall Blue Porch Manuscript;
明代中叶的“清明上河图”——陈铎《滑稽余韵》、《秋碧轩稿》散曲集探析
9.
The Sanqu Creation of Song s Family in Songjiang in the Ming,Qing Dynasties and Its Significance in Literary History;
明清之际松江宋氏家族的散曲创作及文学史意义
10.
An Aesthetic Study of Siming Literature;
四明文学形态审美观照——散文、戏曲、小说、民间文学部分
11.
A caustic curve or surface.
焦散曲面，焦散表面
12.
" Experiments show that the trajectory of the scattered particle is a hyperbola and that, as the Bombarding particle is aimed more closely toward the scattering centre, the angle of deflection decreases."
实验证明,散落的粒子的轨道呈双曲线,而入射粒子越对准散射中心,偏转角就越大。
13.
Through repetition of the rhythmic syncopation, with alternation of scattered and concentrated notes, and contrasts of light and dark tones,
乐曲通过切分节奏音型的重复，以散音、按音交替运用产生的音色明暗对比，
14.
hymn sheet not containing music
不含乐曲的散页圣歌
15.
The Zero Diffusion Limit for Nonlinear Hyperbolic System with Damping and Diffusion;
带耗散与扩散的非线性双曲系统的零扩散极限
16.
A comparison between the non-dramatic songs by Ma zhiyuan and by Zhang Kejiu;
以剧曲为曲与以词为曲——马致远与张可久散曲之比较
17.
The “Nan and Bei Verses”, Ming and Qing Ditties, and Folk Songs: Reflections on the Combination of Nan and Bei Verses in Liao Zhai Zhi Yi;
“南北曲”、明清小曲和聊斋俚曲——从聊斋俚曲“南北合套”曲的唱腔说起
18.
The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;
论明清时期文人曲词对南北曲曲牌定腔的影响