1.
Calligraphy Indicating Own Personalities": The Formation of Su Shi s Critical View on Calligraphy during his Huangzhou Period;
“书如其人”:苏轼黄州时期书法批评观的确立
2.
On establishment of an objective model of calligraphy critique;
书法客观批评模式的构建——源于当前一些书法批评的批评
3.
The criticism in Book Charts of persona is influenced by Confucian arts idea.
《书谱》对书法的人格主义批评也受儒家艺术观的影响。
4.
Aesthetic Criticism Thought in "The Continuation of Theories on Calligraphy" of JIANG Kui;
论姜夔《续书谱》的书法美学批评思想
5.
he criticized the awarding of compensation by the court.
他批评法庭给予的赔偿的仲裁书。
6.
On the Flexibility Thought and the Features of Literal Critique Methods in Wen Xin Diao Long;
《文心雕龙》的通变观及其批评方法特点
7.
It's important to hold the three critical molds to set up noumenon of calligraphy critical
对三种批评模式,应有具体的把握策略,以建构书法批评的本体。
8.
Re-argument on Mr.HE Guo-rui s Critical Concepts and Approaches;
再评何国瑞先生文学批评中的观念与方法
9.
“The Scholar Must Have the Morals”--On Qian Zhong-shu′s the Theory of Literature and Art Critic;
求道为学 都须有“德”——试论钱锺书的文艺批评主体观
10.
Interaction Between Notion and Method:On Mark s and Engel s Literary Criticism;
观念和方法的互动———论马克思恩格斯的文艺批评
11.
The Secrete Skills Are Not a Few On the Parts of "Writing Skills" by "Artificial Masterpieces" of "A Dream of Red Chambel";
书中之秘法亦复不少——《红楼梦》脂批以“美文”评“作法”谈片
12.
an uncritical attitude, view, etc
不愿批评的态度、 观点等
13.
In criticism, it is essential to guard against subjectivism and arbitrariness.
批评要防止主观武断。
14.
The overall principle and approach of Mark's and Engel's literary criticism is esthetical and historical viewpoint.
马克思恩格斯文艺批评的总体原则和方法是美学观点和历史观点。
15.
French Literature-oriented Criticism of China's New Literary
法国文学取向的中国新文学批评——中国现代文学批评中的“诗”与“散文”观(一)
16.
The magistrate criticize the lawless behaviour of the football crowd.
治安法官批评了观看足球赛人群目无法纪的行为。
17.
His criticisms of my book tally closely with yours.
他对我这本书的批评跟你的批评非常吻合。
18.
the reviewers gave his book a sound slating.
评论家严厉批评了他的书。