1.
Split Text;Contradictory Mentality--On Creations of Directors of the Fourth Generation in the New Era;
分裂的文本 矛盾的心态——新时期第四代导演创作论
2.
Historical Awareness of Directors of the 4th Generation and Their Unique Status in the Chinese Movie History(Ⅰ);
第四代导演的历史意识及其在中国电影史上的独特地位(上)
3.
Historical Awareness of Directors of the 4th Generation and Their Unique Status in the Chinese Movie History (Ⅱ);
第四代导演的历史意识及其在中国电影史上的独特地位(下)
4.
The race evolving process of the Chinese movie in the new period -- with the third, fourth, fifth directors are examples;
论新时期中国电影的民族化演进过程——以第三、四、五代导演为例
5.
The Cinematic China:A Comparative Study of Directors from the Fifth and Sixth Generation;
“影像的中国”:第五代、第六代导演比较论
6.
A Comparison of Directors between Ang Lee, the Fifth Generation and the Sixth Generation;
李安与中国第五代、第六代电影导演比较论
7.
The Sixth-Generation Directors' Aesthetics-"Treating Ugliness as Beauty";
“以丑为美”：第六代导演的审美观
8.
Directors of the Fifth Generation and Films of the West China;
论第五代导演与西部电影的艺术叠交
9.
From Opposing Tradition to Returning to Traditon: The Circle Track of the Fifth Generation of Directors;
从反叛到回归：第五代导演的文化圆周轨迹
10.
Starting From the Margin--Critical Narration of the Sixth-Generation Film Director;
从边缘出发——简论第六代导演的叙事手法
11.
How to Improve the Production Quality for the Sixth-Generation Directors;
对第六代导演如何提高创作水准问题的探讨
12.
Fourth Party Logistics: the Leading Part of Modern Logistics Under Resources Conformity Conditions;
第四方物流:资源整合下现代物流发展的主导
13.
A Generation Messier Than the Messy Hair--Characteristics of the "Sixth Generation" Directors in China Through Guan Hu s Dirt;
比头发还乱的一代——从管虎看中国“第六代”导演的个性
14.
Four Generations of Leadership and One Road of Unification--An Analysis of the Evolution of New China s Policy towards Taiwan;
四代领导人 一条统一路——新中国对台政策演变简析
15.
The Sixth Generation Directors Growth Roads, Aesthetic Features and Others;
中国电影第六代导演的成长道路、审美特点及其他
16.
Considerations on the Collective Transformation of "Directors of the Fifth Generation";
“视觉转向”中的华丽转身——对“第五代导演”集体转型的思考
17.
From Romantic Aestheticism to Consumptive Aestheticism--On Aesthetic Tendency of China s 5th Generation Directors;
从浪漫审美主义走向消费审美主义——论第五代导演的审美走向
18.
The Sixth Generation Director s Image of the Social Geography--take Warm,The World,ShangHai Dreams as examples;
“第六代”导演的社会地理学“镜像”——以《暖》、《世界》、《青红》为例