1.
Paradigm Establishment of "Expressing Grievances through Lyrics of Mountain and River Scenes"--An Exploration into the Aesthetic Values of the Landscape Poetry of Zhang Yue;
“山水抒愤”范式的确立——张说山水诗之审美价值试探
2.
On Travel Notes in Chuanshan;
抒抱独情,发亡国愤——《船山记》探幽
3.
On the Artistic Feature of LIU Zong-yuan s Essay Yong Zhou Ba Ji;
寄情山水 托物抒怀——柳宗元《永州八记》的艺术特色
4.
Sing the Praises of Nature;
讴歌自然 寄情山水——华兹华斯抒情诗赏析
5.
A Search for the Traditional Theoretical Origins of "Releasing Resentment to Express Emotion" about Luxun s Proses;
鲁迅散文“释愤抒情”理论的传统渊源
6.
Analysis of the Formation of Literary Tradition of "the Determined Lyrics" from the Perspective of "the Literature Field";
从“文学场”看“发愤抒情”文学传统之形成
7.
The Book of Slander, a Work of Suggestions, Determination and Sentiments;
《谗书》——匡政济世、发愤抒情之作
8.
The Aesthetic Property and the Influence of"Lamenting and Lyricizing"as Seen in Li Sao
屈骚“发愤抒情”的美学特质及影响
9.
Breaking Temporal and Spatial Limits,Expressing Emotion and Creating Artistic Conception--Two Main Characteristics of Chinese Ancient Landscape Poetry and Paintings;
打破时空界限与抒胸怀创意境——论中国古代山水诗画的两大特征
10.
Different Paintings, Different Characters;
笔墨意象 各出机抒——清‘四王’与‘四僧’山水画艺术之见异
11.
He drew the painting Mice to satirize the Japanese invaders and wrote several poems to express his anger.
他画了《群鼠图》以讽刺日本侵略者，还写了不少抒发国破之愤的诗。
12.
They looked down upon the Qing officials because of their corruption, and expressed their anger and discontent in their paintings and calligraphy.
他们生活比较清苦，深知官场的腐败，借助书画抒发内心的愤懑。
13.
Writing the Real & Giving the Feeling: Style and Purport of A Legendary Record in Self-diversion Study;
借异写实,发抒孤愤:《聊斋志异》的创作笔法与创作主旨
14.
With the Stories in the Tang Dynasty not Only to Uncover the Drawbacks of that Examination System But to Express the Indignation
借唐人之事,揭科举之弊,抒愤懑之情——论叶宪祖的《鸾鎞记》
15.
Recording Real Historical Events with Words and Inner Resentment between Lines--on Integrating Real Records with Expressing Resentment in Historical Records;
楮墨实录书史事 笔锋托愤抒胸臆——《史记》实录精神与托愤精神的二重组合
16.
Sun Yat-sen s been to Peking in 1912 and his Ideas on Society;
试论孙中山1912年孤身北上抒政见
17.
On the Development of Lyric Mood From Red Candle to Dead Water;
论《红烛》到《死水》的抒情基调演变
18.
It is exactly this quality of being able to convey one's innermost feelings in a free and unrestrained manner
尽抒胸臆，自由奔放，这是山歌体裁的 最大特征，