1.
On Royal Zaju,Folk Zaju and Bachelor s Zaju of Song Dynasty s;
两宋宫廷杂剧与民间杂剧的对立与互动
2.
Popular juvenile skits, which may derive from vaudeville or other stage comedy, are the only other shreds of possible folk drama to be found in the United States.
流行广泛的青少年滑稽短剧，可能起源于杂耍或其他的舞台喜剧，是其他仅存于美国的民间戏剧。
3.
Some of the music used in the zaju was taken directly from the Song Daqu, and some originated in popular folk tunes.
杂剧的音乐，有些直接取自宋大曲，有些则来源于民间小曲。
4.
The Research of "Drama" Magazine in the Ara of Populace Drama Mass Organization;
民众戏剧社时期的《戏剧》杂志研究
5.
Chinese Journal of Ethnomedicine and Ethnopharmacy
中国民族民间医药杂志
6.
Analysis of the Relationship between the Poetic Drama of the Yuan Dynasty and Folk Custom from the Perspective of The Injustice Suffered by Douer;
从《窦娥冤》看元杂剧与民俗文化之关系
7.
Public Spirit and Cultural Transformation of Zaju in Late Yuan and Early Ming Dynasty
元末明初杂剧的市民精神与文化转型
8.
If you like Beijing Opera, folk music, acrobatics or magic shows, you can enjoy them in the teahouse.
如果你喜欢京剧，民间音乐，杂技或者魔术，你能在茶馆里好好欣赏到它们。
9.
Common People Tendency in the Aesthetics of Yuan-Dynasty Dramas--Viewing from the Common-People Consciousness;
从元杂剧的平民意识看元代戏剧美学的平民主义倾向
10.
The Study on the Writers,Actors,Dramas and National Characters of Hui People in the Miscellaneous Drama of the Yuan Dynasty;
元杂剧中的回回作家、演员、戏曲及其民族性
11.
Ghost Awareness: On the Folk Cultural Roots in GUAN Han-qing′s Zaju Opera;
鬼魂意识:关汉卿杂剧的民俗文化底蕴窥析
12.
The Rudiment of Democratic Thought in Yuan Zaju and Its Enlightenment on Social Novels;
元杂剧民主思想的萌芽及其对世情小说的启迪
13.
ON THE INFLUENCE OF THE MONGOLIAN NATIONALITY AND ITS CULTURE ON THE RISE AND FALL OF THE YUAN DRAMA;
论蒙古民族及其文化对元杂剧繁荣兴盛之影响
14.
The Influence of ethnical musical culture on the Drama of Yuan Dynasty;
论北方少数民族音乐文化对元杂剧的影响
15.
Reveal the feudal old and decayed, interpersonal complicated relation in tragedy.
悲剧则揭露封建的陈腐、与人之间的复杂关系。
16.
On the “Dramatic Imitation” Between the Types of Role and the Characters in the Yuan Plays;
试论元杂剧脚色与人物之间的“戏拟”关系
17.
Between Expression and Re-expression--On Subjectivity of Ma Zhiyuan's Zaju
在表现与再现之间——论马致远杂剧的创作主体性
18.
The Reform of Folk Troupes in Shanghai (1949-1958);
1949-1958年上海民间剧团改造运动