1.
On the Relation between Hanquof Liaoning Guchuiyue (drum and suona music) and Daqu of the Tang Dynasty;
浅析辽宁鼓乐“汉曲”与唐代大曲的关系
2.
Compared Daqu in Tang Dynasty With Daqu in Han-Wei Dynasties and Daqu in Song Dynasty
唐大曲与汉魏大曲、宋大曲的比较研究
3.
The Semantic System of the Character"Qu" and the Aesthetic Construction of "Qu";
汉字“曲”的语义系统和曲文体的美学建构
4.
"Has taken on new magic through later use in China. And now the Tartar from Liangzhou, Blowing it for me,"
流传汉地曲转奇, 凉州胡人为我吹;
5.
On the Chinese Translation of English Songs: A Functionalist Translation Approach;
功能翻译理论视角下的英文歌曲汉译
6.
Study on the Construction and Differsnces of Daqu of Han & Wei, Sui & Tang Dynasty;
汉魏、隋唐大曲结构及其差异性研究
7.
On the Application of Chinese Songs in Oversea Chinese Classroom;
谈中文歌曲在海外汉语课堂中的运用
8.
A Research to the influence of the "Jichu" on Han Dynasty;
论歌舞曲《激楚》在汉代的流布及其成因
9.
The Han Culture Revealed in the Nghe Spinning Ballad of Vietnam;
越南义静民歌纺纱曲中的汉语言文化
10.
Differentiation and Rectification of Explanations of Knotty Yuan Opera Expressions in Chinese Dictionary;
《汉语大词典》之元曲疑难词语释义辨正
11.
Discussion of the explanation of the words in yuanqu in Hanyu Da Cidian;
《汉语大词典》之元曲词语释义商兑
12.
A comparison between HanGongQiu and WuTongYu;
《汉宫秋》与《梧桐雨》的异曲同工之“趣”
13.
A Study on Comparison of Pi-pa Music ChenSui and HangongQiuyue
琵琶曲《陈隋》与《汉宫秋月》之比较研究
14.
A song of love:A comment on the Dong drama of "Jin Han and Lie Mei"
一曲感人的爱情赞歌——评侗戏《金汉列美》
15.
Tibetan and Han Opera Have Identical Aesthetic Ideal-Goodness
以善为美:藏、汉戏曲共同的审美理想
16.
The greatest composers of classical music are Bach Handel, Haydn, Mozart, and Beethoven.
最伟大的古典乐曲作曲家有巴赫、汉德尔、海顿、莫扎特和贝多芬。
17.
Traditionally, Han tunes are divided into three parts slow beat, medium beat and rapid beat.
汉乐传统发展曲调的手法，是把一首乐曲分为缓板、中板、紧板三段，
18.
Opera in the Han Dynasty was not the source of Chinese traditional opera. it only contained some of the elements of traditional opera.
汉代百戏并不是中国戏曲的源头, 它只是有一些戏曲的元素。