1.
Kunqu Opera stages a comeback on World Heritage Day.
在世界文化遗产日那天，昆曲表演风光再现。
2.
Cultural Mark of Kunqu Opera Theatrics:Poetic Charm and Painting Conception;
昆曲舞台表演的文化印记:诗情·画意
3.
Kun Opera and Nohgaku-On the Stage Structure and Performing Form of Sino-Japanese Traditional Opera;
昆曲与“能”——试论中日传统戏曲的舞台结构与表演形态
4.
Kunqu originated about 600 years ago. During the height of its popularity, plays were usually performed in private houses, such as Hu Xueyan's residence.
昆曲起源于约六百年前。在全盛时期，昆曲通常是在私宅里表演的，比如胡雪岩的府邸。
5.
Based upon traditional Anhui Opera, it has also adopted trpertoire, music and performing techniques from Kun Opera
京剧以黄梅戏为基础，吸收了其他戏剧的曲目、音乐、表演技巧，包括昆曲
6.
The Vocality of Dan Female Role in the Kunqu Opera the Peony Pavillon
试论昆曲《牡丹亭·游园》闺门旦的演唱艺术
7.
On the Different and Similar Features in the Performance of Bamboo Flute in Kun Qu and Chinese Folk Music;
论昆曲竹笛与民乐竹笛演奏特点的异与同
8.
The Assimilation, Fusion and Development of Chinese Operatic Arts and National Vocal Music in Terms of Kunqu Singing
从昆曲演唱艺术看民族声乐对戏曲声腔艺术的吸收、融合与发展
9.
Stylized Movement in the Traditional Chinese Opera and the Personality of the Character--On the Performing Art of the Traditional Chinese Opera;
戏曲程式与人物性格——戏曲表演艺术谈
10.
An Evaluation on Kunqu Opera;
对于昆曲的价值判断——为庆贺昆曲成为“人类口述和非物质文化遗产代表作”而作
11.
The Principal Pattern in the Hall Performance of the Kunqu Opera and the Formation of the General Style of Stage Setting;
昆曲厅堂演出的主导格局与舞台美术总体风格的形成
12.
On Wu Mei’s works on Kunqu opera and his performance;
关于吴梅的昆曲论著及其演唱实践——为纪念曲学大师吴梅先生诞辰120周年而作
13.
"A performer shall, in relation to his performance, enjoy the right to claim performership, to protect the image inherent in his performance from distortion, to authorize others to make live Broadcasts."
表演者对其表演享有下列权利:表明表演者身份,保护表演者形象不受歪曲,许可他人从现场直播。
14.
Its organizers are now planning to develop it into a long-term program as a tourist attraction so that Kunqu will regain its popularity.
演出的组织者正在计划将此演出发展成一项长期的旅游观光项目，从而让昆曲再获普及。
15.
On the Development of Character-classification,Actor-division and Performing Art--Exploring the Traditional Performing Art of the Kunqu Opera(I);
人物分类、演员分行及表演艺术之传承述略——昆剧传统表演艺术初探之一
16.
The show was a miscellany of song and dance.
那场演出是又有歌曲又有舞蹈的混合表演.
17.
About the Second Creation Vocal Performance --Creative Ways of Singing;
声乐表演的二度创造——谈歌曲演唱的创作方法
18.
(2) to protect the image inherent in his performance from distortion;
（二）保护表演者形象不受歪曲；