1.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
2.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
3.
Preference of Histrionics over Literature in the Aesthetics of Chinese Traditional Theatre;
论“重演轻戏”的中国古典戏曲审美主张
4.
Influence and Infiltration of Chinese Classical Operas on Classical Novels;
论中国古典戏曲艺术对古典小说的渗透与影响
5.
On the Function of Chinese Opera-house in Chinese Traditional Opera;
论戏楼在中国古典戏曲艺术发展中的作用
6.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
7.
On Wang Guowei s Contradietion of Aesthetic Values of Chinese Opera--also on the poetic character of Chinese classical opera;
论王国维对中国古典戏曲审美价值观之矛盾——兼论中国古典戏曲的诗性特征
8.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
9.
The Lyrical Characteristics on Ancient Chinese Drama-Measured by Traditional Play Theory and Western Play Theory;
传统曲论与诗学参照下的中国古典戏曲的抒情特征
10.
The Study of Two-lane Structure in Chinese Long Classical Opera;
中国古典长篇戏曲中的双线结构研究
11.
The Criteria of Tragedy in Chinese Classical Dramas;
关于中国古典戏曲中悲剧标准的探讨
12.
The reclaimer of Chinese traditional opera research in 20th century;
20世纪中国古代戏曲研究的拓荒者——黄摩西戏曲理论批评简论
13.
A Special View to the "Perfect Ending" in Chinese Classic Drama Novels;
中国古典戏曲小说“大团圆现象”管窥
14.
On the Concept of Performers′Cultivation by“Combing Their Inner World with the Outside”in Ancient Chinese Opera Theories;
论中国古代戏曲理论“内外结合”的演员修养观
15.
On the Reasons for the Prolificacy of Ghost-plays in Traditional Chinese Opera From the Perspective of the Function of Drama;
从戏曲功能探究中国古典鬼戏多产的原因
16.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
17.
Try to Talk about the Tragedy of Chinese Classic Kings Love Drama and the Solution Mode;
试论中国古典帝王爱情戏曲中的悲剧性及其消解模式
18.
Restriction and Breakthrough and Their Theoretical Significance in Classical Chinese Dramatic Forms;
中国古典戏剧形式的限制、突围与理论意义