1.
Watanabe s Literature,an Exotic Cultural Phenomenon--On the "Female" and "Nature" in Japanese Literature;
作为异文化现象的渡边文学——兼论日本文学中的“女”与“自然”
2.
Some Reflections on Watanabe's Introduction to the Study of Comparative Literature
读渡边洋《比较文学研究导论》所想到的几个问题
3.
A Text Book Suitable for Young Learners of Comparative Literature--Interpretation on Introduction to the Study of Comparative Literature by Watanabe
一本适宜于比较文学初学者的教材——对渡边洋先生《比较文学研究导论》的解读
4.
Yanbian Literature (in Korean)
延边文学(朝鲜文)
5.
Interlanguage and Chinglish──A Brief Discussion about the Grammatical Variation of English Learners;
过渡语和Chinglish──论英语学习者的文法变异
6.
The Contemporary Living Environment of Literature Seen through The Ferry;
从《摆渡》看文学在当代的生存处境
7.
The Transition from the Study of the Chinese Classics to the Study of History: The Case of Liao Ping and Meng Wentong;
从经学向史学的过渡——廖平与蒙文通的例子
8.
Interpretation On "the Directly-entering-socialism" by Anthropology--Taking Jinuo Nationality as an Example;
“直接过渡”的文化人类学解读——以基诺族为例
9.
ON THE USE OF THE DEFINITE ARTICLE IN ENGLISH BY CHINESE LEARNERS IN THEIR INTERLANGUAGE;
中国学习者英语定冠词过渡语研究(英文)
10.
The Geographical Distributes of the Ci-Poets Drifting Southward and the New Situation in the Literary Development in the Southern Song Dynasty;
南渡词人地理分布与南宋文学发展新态势
11.
The Function of Transitive Conjunctions in College English Writing;
“过渡衔接词语”在大学英语短文写作中的作用
12.
The Transition with Develops the Good and Discard the Bad--with to Read the Solution about the Virgin this Literature Introduction Argument
过渡与扬弃——关于童本文学概论的争论与读解
13.
Edge Reciting: "Tibet Literature" and "Seek the Root Literature";
边缘的吟唱：“西藏文学”之于“寻根文学”
14.
The Relations between Dunhuang Literature and Others
敦煌文学与周边民族文学、域外文学关系述论
15.
On the Non-literariness and Boundary of Literature;
论文学的非“文学”性——也谈文学的边界问题
16.
1997 ~ 2001 Purdue University.
1997－2001普渡大学。
17.
Lok Ma Chau, Sha Tau Kok and Man Kam To are the three road crossing points between Hong Kong and the Mainland.
香港与内地之间现有三条陆路边界通道，分别位于沙头角、文锦渡和落马洲。
18.
20th century "Transition Identity" decides literature context to be open to the outside and adventurous.
20世纪的“过渡身份”，决定了该世纪文学语境的开放属性及冒险特征。