1.
The Classic Appearance of Love Poems and Their Modern Boundaries--From The Book of Songs to The Lake Side;
爱情诗的古典形态与现代分野——从《诗经》到《湖畔》
2.
Comment on the new culture movement and the differentiation and reconstruction of Chinese modern intellectuals
新文化运动与中国现代知识分子分野与重构
3.
Could a Man Have Planted Both Feet upon the Ground still at Thirty;
现代法律视野下“三十而立”的非合理性分析
4.
On the Divergence of the Root Awareness in Modern Taiwan Novels;
一枝两蕊:现代台湾小说中根意识的分野
5.
Analysis on the theoretical distinction of political development and political modernization;
试论政治发展与政治现代化的理论分野
6.
On the Intellectuals Association in the Post-modern Perspective;
后现代视野中知识分子间的交往问题探析
7.
The Equality in Modern Perspective--An Analysis of Political Philosophy
现代性视野中的平等——一种政治哲学的分析
8.
A Study on Distribution of Wild Vanda coerulea in Mangao Nature Reserve
曼稿自然保护区野生大花万代兰分布现状
9.
A Narrative of Modern Ethic──An Eyeshot of Weeds;
一种现代伦理的思考──现代伦理视野下的《野草》
10.
Transcending Modern Science:New Vision of Postmodern Science;
超越现代科学:后现代科学的新视野
11.
Modern Landscape Architecture from the Perspective of Modern Art
现代艺术视野中的现代园林景观设计
12.
A New Perspective on Modern Chinese Lexico-semantic Study--Taking 穿 for Example;
从“穿”字语义分析看现代汉语词汇语义分析的新视野
13.
On the Social Capital in the View of Institution Analysis and Modern State Institution Building;
制度分析视野中的社会资本与现代国家制度构建
14.
The Relationship among the Meaning Items of Disyllabic Word and the Boundary between Polyseme and Perfect Homonym;
现代汉语复音词义项关系及多义词与同音形词的分野
15.
A Fresh Talk on the Dividing Line of Modern Art and Traditional Art--Talking From the Angle of Integrity & Entirety and Consciousness;
新谈现代艺术与传统艺术的分野——从整一性与意识性角度谈起
16.
The Character of the Process of Modernization and the Historic View-An Reflection on the analytic model of “internal cause-external cause”;
现代化进程的性质及历史视野——对“内因-外因”分析模式的反思
17.
On the Relation between the Political Structure Differentiation and the Political System Integration in the process of the Political Modernization;
政治现代化视野中的政治结构分化与政治系统整合
18.
One Reed, Two Kinds of Sound --The Aesthetic Dividing-line between the Emotion-oriented Group and the Consciousness-oriented Group in the School of Modern Poetry;
一枝芦笛 两色清音——现代诗派中主情与主知的审美分野