1.
The Third Eye of Epic Study--Evaluation of The Theory of Oral Composition:History and Methodology
史诗研究的第三只眼——《口头诗学:帕里-洛德理论》的评介
2.
The Concept of Song in Oral Poetics”. Studies of Ethnic Literature, No.4,199, pp.83~88.
口头诗学关于歌的概念”，《民族文学研究》，1999年第4期，第83~8页。北京。
3.
“Defination of Text in Oral Poetics”. Studies of Ethnic Literature, No.3, 1996. pp. 86~94.
“口头诗学的文本概念”，《民族文学研究》，1998年第3期，第89~93页。北京。
4.
“The Concept of Song in Oral Poetics”. Studies of Ethnic Literature, No.4, 199, pp.83~88.
“口头诗学关于歌的概念”，《民族文学研究》，1999年第4期，第83~88页。北京。
5.
Some Thoughts on Poetics of Oral Epics--And some comments on Chao Gejin s "Poetics of Oral Epics;
口传史诗诗学的几点思考——兼评朝戈金《口传史诗诗学》
6.
Interpretation on the Tus' Epic "the Song of Fuyang"
土族叙事诗《福羊之歌》的口头程式解读
7.
a good poet is a verbal artist; a merely verbal writer who sacrifices content to sound; verbal aptitude.
一位好诗人是口头的艺术家；一位只是有声音而无内容的口头作家；口头表达能力。
8.
Written Form for an Oral Masterpiece--On the written form of epic Gesar
一部口头巨著的书面化——考史诗《格萨尔》的书面化
9.
Non-Verbal Behavior Plays an Important Role in the Oral Carrying of the Epic Manas
非言语因素在史诗《玛纳斯》口头传承中的作用
10.
The Philosophical Background of the Source of Chinese Poetics;
性理之学与心性诗学——论中国诗学源头的哲学背景
11.
The traditional limerick, which is usually off color and hence circulated orally, could be considered folk poetry.
传统的五行打油诗可以看作是民间诗歌，这种打油诗通常内容粗俗，所以仅仅流传于口头。
12.
The Cause for Stressing on the Heroic Epic The Life of Ling·Gesar Handed down in Words by the Populace
浅析民众注重口头传承英雄史诗《岭·格萨尔王传》的缘由
13.
Students of English should have a lot of oral drills.
学英语的学生应多做口头练习。
14.
Hesiod s Mythical Poems in the Source of Classical Political Philosophy;
古典政治哲学源头中的赫西俄德的神话诗
15.
A Probe into Selected Poem Collection of Seven Poets Spreading in Japan;
关于“大学头”及其他——《七子诗选》流传日本考辨
16.
Prosodic Analysis of Rhythm in English Speech and Its Significance;
英语口语表达的诗体学节奏分析及其意义
17.
The stone crushed the head of a poet.
石头砸在一个诗人头上。
18.
Verbal communication as a subject of study.
作为学习的主题的口头交流