1.
Research on Automatic Harmonization for Melody with Chinese 5-tone Modal Harmony;
中国五声性调式和声自动配置的研究
2.
Harmonic Methodology Based on Third-Studies on Pentatonic Harmony;
三度结构的和声方法——五声性调式和声研究之一
3.
Methods Dealing with Poly-structural Harmony --A Study in Pentatonic Modes;
复合结构的和声方法——五声性调式和声研究
4.
The Harmonic method of the fourth/fifth and the second structure;
四、五度结构与二度结构的和声方法——五声性调式和声研究之一
5.
Researches on Features and Reasons of Pentatonic Harmonies;
五声性调式和声的风格特征及成因研究
6.
The Study of the Chord Structure of Pentatonic Mode Harmony;
中国五声性调式和声的和弦结构及其标记研究
7.
On the Development of the Chinese Pentatonic-Modes-Harmony Theory by Comparing Several Harmony Texts;
通过对几部和声论著的比较分析看我国五声性调式和声理论的发展
8.
Study of Pentonic Tonality Development and Teaching in Piano Improvisation
钢琴即兴演奏中五声调式的调性发展问题与教学研究
9.
To Recognize the Theory of Integrated Pentatonic Modes -- < The Theory of Integrated Pentatonic Modes by Li Yinghai>(2th half);
五声综合调式理论之认识——《黎海英的五声综合调式理论》(下篇)
10.
The Form of Tetrachord Structure of Pentatonic in Guangxi s Folk Songs;
五声调式的四音列结构在广西民歌中的形态
11.
The Theory & the Practice on the Lateral Synthesis of the Same Keynote in Chinese Pentatonic Modes;
中国五声调式同主音横向综合的理论与实践
12.
The Research of Harmonic Forms and Tone Used in Three Musical Compositions Written by Huang Anlun
黄安伦三首五声性钢琴作品的和声形态与调性结构研究
13.
Research of Music Mode and Harmonic Thoughts in Piano Works Composed by Ding Shande;
丁善德钢琴音乐调性与和声思维模式初探
14.
Practice and Exploration of China Pentatonic Scale with Chromaticalized Harmony;
中国五声性半音化和声的实践与探索
15.
Our fifth concern is with modulation noise.
我们要讨论的第五个问题是调制噪声。
16.
Construction of Feminine Subjectivity in Chinense Feminism Texts of Contemporary Literay Works--Collative Narrative Voice Mode in the Invisible Space
“五四”以来女性文学中女性主体性的建构——兼论隐形空间中的集体型叙事声音模式
17.
The Character of Fujian Dialect Type Tone and Method of Correct Common Spoken Chinese Tone;
福建方言式声调的特征与普通话声调正音
18.
The Tone in the View of Ge Diao(格调) Theory: Mode of Emotion Movement;
格调论视野中的声调:情感运动的方式