1.
The Symbol of Chinese Traditional Culture;
中国传统文化的象征——汪立三钢琴曲《#F商:书法与琴韵》中的“中国风格”探析
2.
Viewing the Rhyme Dictionaries Based on Which Characters Were Covered in Yunjing(A Rhyme Mirrow) in Comparing Yunjing with the Other Related Rhyme Dictionaries in catalogue and Array Order
从《韵镜》与相关韵书韵目及其排序之比较看《韵镜》列字所据之韵书
3.
Studies on the Rhyme Dictionaries Which Yunjing Is Based on from a Comparison of Yunjing with Related Rhyme Dictionaries;
从《韵镜》与相关韵书之比较看《韵镜》列字所依据的韵书
4.
The Comparison about the Phonetic System between the Ge Rhymes and the Phonology of the Sino-Sanskrit and the Sino-Tibetan in the Serial Books of the Qieyun;
《切韵》系韵书中歌戈韵与梵汉、汉藏对音比较
5.
On the Historical Evolution and Style Meta of Ink-rhyme Represented in Calligraphy;
论书法中墨韵表现的历史演进与风格流变
6.
The Relation Between the Body-Mind and the Artistic Nature of Calligraphy--The Rhythmization of the Visional Art;
身心与书法艺术本质之关系——视觉艺术的韵律化
7.
Tentatively on QIAN Zhongshu s Theory of Re-arranging the Tone Clusters in "Six Techniques for Painting"--Concurrently on the theory of "lively artistic conception;
试论钱钟书“六法”失读说——兼与“气韵生动”说商榷
8.
The prosodically restrained written language and the audio-lingua approach;
韵律制约的书面语与听说为主的教学法
9.
On the Research of the Tones of the Nanqu opera and Three Tone Books of the Qing Dynasty
南曲用韵与清三部南曲韵书研究述论
10.
ON SPIRIT AND RHYME IN THE ART OF PIANO PERFORMANCE;
试论钢琴演奏艺术中的“气”与“韵”
11.
A Brief Study on the Methodology of the Study of Ancient Rhyme--and Concurrently on the Study of the Rhyme of Jinwen Shangshu
古韵研究方法论发微——兼论今文《尚书》用韵研究
12.
The Ancient Music and Rhythm of Gu qin in the Chinese Paintings--On the Literati and gu qin in the Ancient Chinese Paintings
国画含琴 古乐流韵——论中国古代绘画中的文人与琴
13.
Textual Criticism Between TANG Rhyme and Some Fragments of The Books On Rhyme in Dunhuang MSS;
与蒋藏本《唐韵》相关的敦煌韵书残卷考释
14.
Close to Human Voice--The Development of the Aesthetic Mechanism of Huqin;
向人声韵致的贴近——胡琴形成与演进的美感机制
15.
Zidishu Poems and Chaqu Songs--Two Verses in Beijing Region;
子弟书与岔曲——北京地区的两种韵文
16.
On the Rules of Chinese Prosodic Constraint and the Training of Chinese Rhythm Intuition;
试论汉语的韵律法则与韵律语感的培养
17.
Charm types of China s culture of book collections and concepts of library buildings;
中国藏书文化的“韵味”类型与图书馆建筑的理念
18.
Making classical allusion romantic charm and modern breath consummate combines in an integral whole , is proper qualities of Bach piano.
让古典神韵与现代气息完美的解和于一体，是巴赫钢琴特有的气质。