1.
Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.
湘西傩堂戏源于中原汉族的傩堂戏,曾经历了傩祭傩仪傩舞傩戏的演变历程。
2.
On the Music in Festival Lantern Opera and Nuo Opera in Xiang Xi;
湘西花(花灯戏)傩(傩戏)音乐拾零
3.
Conformity of Shu-miao Minority’s Nuo Tune and Custom music in the West of Hunan Provinece;
湘西“熟苗区”傩腔与世俗音乐的整合
4.
On the Witchcraft Culture of Western Hunan and the Tujia People′s Wushu in the Border Area of Hunan,Hubei,Chongqing and Guizhou
湘西巫傩文化与湘鄂渝黔桂边土家族武术
5.
The Research on the Features of Luoxi Drama of Tujiazu Minority in the East of Guizhou [Ⅱ];
黔东土家族傩堂戏文化特色研究(下)
6.
The Research on the Features of Luoxi Drama of Tujiazu Minority in the East of Guizhou [Ⅰ];
黔东土家族傩堂戏文化特色研究(上)
7.
On Environment Factors of Creation and Development of Nuo′s Culture;
论傩文化创生传承的环境因素——以湘西傩文化为例
8.
Marketing Analysis and Strategy Conceiving of Exorcism Culture s Tourism Exploitation in XiangXi;
大湘西傩文化旅游开发的市场分析和战略构想
9.
A Study on Nuo Opera in Zhongcun Village of Ningdu Jiangxi--A Research on Hakka Intangible Cultural Heritage;
江西宁都中村傩戏研究——一项客家非物质文化遗产的调查
10.
On the Function of Nuoji and Nuoxi in the Perspective of Contemporary Culture;
当代文化视角下的傩祭与傩戏功能浅析
11.
Nuo Ceremony:From Totem to Opera,Based on the Case Study. Tiger Nuo of Yi nationality in Shuang Bai County,Yunnan Province;
傩仪:从图腾到戏剧——以云南双柏彝族虎傩为个案
12.
A Comparative Study on the Mask of Anshun Dixi Drama and the Folk Nuo Drama
安顺地戏面具与民间傩戏面具之比较
13.
The effects of Taoism on Nuo Opera in southeast Chongqing--Taking incantations for removing masks in Yujia s Nuo Opera at Xiushan as an example;
道教对渝东南傩戏的影响——以秀山余家傩戏面具开光咒语为例
14.
Dramatic Art as Cultural-historical Sediment:--The Origin,Development,and Artistic Substance of the Nuo Opera;
历史文化的积淀——从傩戏的起源和发展探傩戏的本质
15.
On the "Reversion" of Future Dramas to Nuoyuanxi;
试论未来戏曲向傩愿戏等祭祀戏剧的“返祖”
16.
Chenhe High-pitched Mulian Play:The Cultural Representation of Xiangxi Folk Life
辰河高腔目连戏:湘西民俗生活的文化表象
17.
Research on Culturaanges of Nuo Opera from Its Ranges of Performance Space;
从傩戏的表演空间范围看其文化变迁
18.
The Social Function of Gui Zhou "Nuo" Ritual Theatre in Patriarchal Society;
贵池傩戏对宗族社会的反哺作用探究