1.
A Comparison between the Standards and the Effectiveness in the Works of Nine-leaf Poets and Mainstream Poets;
九叶诗派与主流诗歌的艺术本位及其艺术效用之比较
2.
Art of Aestheticism:The Aesthetic Mainstream in Chinese Classic Poetry;
唯美的艺术:中国古典诗歌的审美主流
3.
Poetic School of “Fleshy and Sensual Concern”:Its Birth and Theoretical Viewpoint;
论“下半身”诗歌流派的产生及理论主张
4.
Poetry of the New Generation in Taiwan and the Trend of Realist Creation
台湾新世代诗歌与现实主义创作潮流
5.
Contemporary Poetry on Debating:A Review of Controversy about Poetry in the 1980s and 1990s;
边缘的主流——对八、九十年代诗歌论争的一种阐释
6.
The Movement and Inspection of Patriotic Tradition in Chinese Classical Poem;
中国古典诗歌爱国主义传统流变及其检视
7.
Take on A Historical Independent Gesture--On Nine-Leaf Poem School and the Mainstream in 1940s;
承当历史的独立姿态——九叶诗派与20世纪40年代主流文学(诗歌)
8.
On the Writing and Changing about the Relation Themes of Mother and Daughter in Contemporary Poems of Women: Shuting,Zhai Yongming and Yin Lichuan s Poem as an Example;
当代女性诗歌中母女关系主题的书写与流变——以舒婷、翟永明、尹丽川的诗歌为例
9.
A Highly Conscious Modernism Poetic School --An Analysis of the Poetic Theory and Creative Practice of “Jiuye” School;
一个高度自觉的现代主义诗歌流派——析“九叶”派的诗歌理论及创作实践
10.
Realism and Expression --DiscussingLiu Sha hes’ Poems Art;
典范的现实主义 睿智的表达方式——论流沙河的诗歌艺术
11.
Coexistence of Local Ideology with Foreign Artistic Movements--Characteristics of Russian Futurist Poetry Genre;
外来思潮与本土意识兼容共存——俄国未来主义诗歌流派的特征
12.
A Study of Zhang Jiayan’s Low Chinese Poems
逆流而上的诗歌河豚——读张嘉谚《中国低诗歌》
13.
A Valuable Exploration into Verse Translation in Poems of Zhou Liuxi(Second Collection);
《流溪诗外编》对诗歌翻译的可贵探索
14.
The Changing Process of Poem-the Analysis of Poem s Syptom of 1990 s;
诗意流变——九十年代诗歌症候分析
15.
Long Poems as Wail--on the Sentimental Theme of Li Shang-yin s Poems;
长歌当哭——谈李商隐诗歌的感伤主题
16.
Approach to Classification of Bai Juyi s Poems --and Theme of Verse of Endless Grief;
白居易诗歌归类考——兼及《长恨歌》的主题
17.
An Initial Discussion about the Lied--A fusion of romantic poems and songs;
艺术歌曲探微——浪漫主义“诗”与“歌”的融合
18.
The Quality of the New poems: A New Exploration of Modernism in Mu Dan’s Poems
新的诗歌素质:穆旦诗歌现代主义意义新探