1.
Outlets of Qin Opera and Mass Culture in the West Development;
秦腔出路探微——兼论西部大开发中的群众文化
2.
"Numerous local theatrical genres, such as the bang-zi, qin-qiang, and yue-ju, appeared in the 17th-19th centuries."
17～19世纪间，也涌现出许多地方戏曲，如梆子，秦腔和越剧。
3.
Shaanxi Opera:Neither “Bottom” nor “Peak”;
《秦腔》:既非“低谷”亦非“高峰”
4.
The Wrong Way and Right One of Hongxue: Theoretic Puzzle of Liu Xinwu s "Qinxue" and the Crossroad of Contemporary Hongxue Development;
红学的歧路与出路——刘心武“秦学”的理论困境与当代红学方向的选择
5.
Before going to formal performances in the opera houses, I studied the stories and characters so that I would understand the action.
在去剧院看正式的秦腔演出之前，我先了解那些故事和剧中人物，这样就能理解表演。
6.
Problems in the Use of High Friction Coefficient Composite Brake Shoe on Daqin Railway and the Analysis
高摩合成闸瓦在大秦铁路使用中出现的问题及分析
7.
An Comparative Research of the Formation and logic Ideas between"Zengzi ten Parts "and "Xing Zi Ming Chu"
由《曾子》十篇看《性自命出》的成书及理路——兼谈宋儒对先秦儒学的误读
8.
From "Refined Speech" to Shaanxi Opera--A Hopeless Return to the Hometown;
从“雅言”到《秦腔》:无望的回乡——贾平凹长篇小说《秦腔》新论
9.
Qinqiang:Spiritual History of Rural Area in New Era--On the Living Experience in Qinqiang
《秦腔》:新时期农村的心灵史——简谈小说《秦腔》的生存体验
10.
Research on Three-mode Overlapped Two-gap Coupled Cavity Type Output Circuit;
三模重叠双间隙耦合腔型输出回路的研究
11.
Output Circuit of π-TM_(610) Mode Double-Gap Coaxial Cavity Coupled with Coaxial Line
π-TM_(610)模同轴双间隙腔耦合同轴线输出电路
12.
Qinqiang Opera enjoys large audiences in Shaanxi, Gansu and Qinghai.
秦腔在陕西、甘肃、青海三地特别流行。
13.
On the Metaphor of 《Qing Song Style》--Several Unnoticed Implications;
论《秦腔》的隐喻——几种被忽略的意义指向
14.
Qin Opera:Jia Pingwa s Commemoration of His Ex-wife in Self-criticism;
《秦腔》:贾平凹在自责中对前妻的追念
15.
“To Forget Memories” --the Death Narrates of Qinqiang;
“为了忘却的回忆”——《秦腔》的死亡叙述
16.
A Review of the Decline of the Native Land--on the care about Native Land in Shaanxi Opera;
颓败的乡土的回望——论《秦腔》的乡土关怀
17.
Realism,Symbolism and Supernature;
实·虚·玄——《秦腔》艺术手法散论
18.
Qinq-Qiang--the Herald of the Big Prose;
《秦腔》:大散文的先声 真性情的歌哭