1.
Revolutionary drama played an important role in the political culture of the French Revolution.
革命戏剧在法国大革命的政治文化中占有重要的地位。
2.
Transformation of Traditional Drama as seen in Model Opera;
从“革命现代京剧”看传统戏剧的转型
3.
A Revolutionary Realistic Dramatist-CHEN Bai-chen;
怀念革命现实主义的戏剧大师陈白尘
4.
The Change of Drama Arts in the New Era;
不流血的“革命”——新时期戏剧的艺术嬗变
5.
Che - Guevara : Ideal, Revolution, Drana and Others;
《切·格瓦拉》:理想、革命、戏剧及其它
6.
Revolution on the Stage:Red Drama Movement in the Soviet Area
舞台上的革命:苏区的红色戏剧运动
7.
Rethinking the Theory of Left-wing Drama Popularization;
革命·国民·本土——左翼戏剧大众化理论的再思考
8.
Early Modern Drama: A Difficult Process from Propaganda to Commercial--New Research on Ren Tianzhi's Performing Activities in 1911 and 1912
早期话剧:从革命戏到商业剧的艰难迈进——任天知辛亥、壬子年戏剧活动新考
9.
In the early 20th century modern theater (the spoken plays) took shape under the democratic and revolutionary sentiments. It was formed under the influence of European drama.
20世纪初，新剧(话剧)在民主和革命情绪的影响下逐渐成型。话剧的形成受到西方戏剧的影响。
10.
The Artistic Declaration of Extreme Politics--the Visual Expression of Power and Will in Stage Photos from "Revolutionary Model Dramas";
极端政治的艺术宣示——“革命样板戏”剧照中权力意志的视觉表达
11.
How Are the Classics formed? --Artistic Analysis of Act V of the Modern Beijing Opera The Story of the Red Lamp;
经典是怎样炼成的——京剧现代戏《红灯记》第五场“痛说革命家史”艺术分析
12.
Lao She and Tian Han:The Mission of Playwrights between 1957 and 1958;
老舍和田汉:1957—1958年的戏剧使命
13.
The Buddhist Consciousness of Life Shown in "Dreams"in Ancient Chinese Dramas
中国古代戏剧中“梦”的佛教生命意识
14.
A Historical Narration of the Cultural Revolution--On the literary drama of the model Beijing opera;
“文革”的历史叙述——论“样板戏”的文学剧本
15.
On the Musical Reform of the Model-Theatrical-Works, Beijing Opera;
论京剧“样板戏”的音乐改革(下)
16.
On the Musical Reform of the Model-Theatrical-Works, Beijing Opera(1);
论京剧“样板戏”的音乐改革(上)
17.
Linguistic Reform and the Early Forms of Modern Chinese Dramas
语言变革与中国现代戏剧的初期形态
18.
The Fate of the Character and the Its Theatrical Effect:The Lifeline of Cao Yu s Characterization;
命运魔力与剧场感应——曹禺戏剧人物描写的剧场性张力之一