1.
The Research of the Scriabin s 24 Preludes(op.11);
斯克里亚宾24首前奏曲（op.11）的研究
2.
Probing into Mystic Harmony;
探索“神秘和声”——走近斯克里亚宾
3.
On the Various Study Angle of Scriabin s Early Sonatas for Piano;
多个研究角度下的斯克里亚宾早期钢琴奏鸣曲
4.
An Exploration into Creation Thoughts in Skriabin s Five Preludes-OP.16;
斯克里亚宾《五首前奏曲OP.16》创作思维探微
5.
Alexander Scriabin’s Harmonic Technique in his Terminal Five Sonata;
斯克里亚宾晚期五首钢琴奏鸣曲和声手法研究
6.
Tonality in Skriabin s Late Compositions;
论斯克里亚宾晚期音乐的调式调性观念
7.
Research of Developed Segment in Skryabin's Piano Sonata
斯克里亚宾钢琴奏鸣曲展开型乐段研究
8.
On the Formation Process and Structure of Scryabin's Mystic Chord one Method
斯克里亚宾“神秘和弦”形成过程与结构形态
9.
The Analysis of the Cultural Formative Causes and Performing Styles of Scraibin s Piano Etudes;
斯克里亚宾钢琴练习曲的文化成因和演奏风格的探析
10.
Mystic Seventh Chords--Analysis on Pitch Organizations of Skryabin s Five Piano Preludes;
“神秘”七和弦——浅析斯克里亚宾五首钢琴前奏曲(op74)的音高组织关系
11.
The Special Chord Producing and Its Multiplication;
特殊和弦的诞生及其繁衍——斯克里亚宾晚期和声剖析
12.
He played Scriabin, and it was like the rippling of moonlight on water.
他弹奏俄国作曲家斯克里亚宾的曲子，乐声就象月光映照下水面上的涟漪一样。
13.
This paper will generalize and discover Scriabin's peculiar composing method and the characteristics of musical language in his piano music.
本文将从中归纳、现斯克里亚宾钢琴作品中独特的写作手法及音乐语言。
14.
Scriabin continually explored the new means of music expression, in which he both maintained the composing way of the late period of the Romanism but demonstrated his own individuality.
斯克里亚宾不断的在探索新的音乐表现手法，既保有浪漫时期晚期的写作，又具有独特的手法。
15.
Chris Lehmann is principal of the Science Leadership Academy in Philadelphia, Pennsylvania.
克里斯.莱曼是宾夕法尼亚州费城科学领导学院的校长。
16.
On the bench: Nate Robinson, Radmanovic, Renaldo Blackman, Fred Jones, Jared Jeffries, Jerome James and Randolph Morris.
板凳球员则有：罗宾逊、布莱克曼、琼斯、杰弗里斯、詹姆斯和莫里斯。
17.
The destination city in Russia will be Chelyabinsk.
在俄罗斯的目的地城市将会是车里雅宾斯克。
18.
Hierocles OF ALEXANDRIA
希罗克洛斯(亚历山大里亚的)