1.
The Sun Flower Covered with the Sky--The Metaphorical Description from the Northeastern Women Writers;
阴霾天空下的向日葵——东北女作家的隐喻书写
2.
Research on Image of Women in the Northeast Writers' Work during the Occupation
东北沦陷时期东北作家笔下的女性形象研究
3.
The Interpretation of the View of the Same Sex of Female as the Northeast Feminie Writers during the Occupation by Japan;
东北沦陷时期女作家创作的同类视角解读
4.
Males Who Lost Their Status: Northeastern Female Writer s View Of Males;
身分缺失的男性:东北沦陷区女作家的异性视角
5.
Research on the Female Writers' Group from Soochow University (1938-1949);
“东吴系女作家”研究（1938—1949）
6.
Clamour in the Still--Research on the female writers detained in Northeast China during the "Illegitimate Manchu Regime" period;
沉寂中的呐喊——“伪满”时期滞留在东北的女作家研究
7.
On Four Women Authors Motherly Love in Beijing Senior Normal University for Girls;
论北京女高师四位女作家的母爱歌颂
8.
The Role of Nuchen and Manchu Language in the Northeastern History Studies
论女真语、满语在东北史研究中的作用
9.
It introduces students to a variety of works by contemporary women writers from Asia, Africa, the Middle East, Latin America and North America.
它透过来自亚洲,非洲,中东,拉丁美洲和北美洲的当代妇女作家向学生介绍多种作品。
10.
A NEW SITUATION, A NEW DEVELOPMENT--ECONOMIC AND TRADE COOPERATION BETWEEN THE STATES OF NORTHEAST ASIA;
东北亚国家经贸合作:新形势新发展
11.
Three Narrative Voices in the Writings of the New Women Immigrants to North America;
试论北美新移民女作家作品的三重叙述声音
12.
On Changes in the Meaning of "Diaspora" in the Works by Feminine Chinese Writers of North America;
论北美华文女作家创作中“离散”内涵的演变
13.
The Influence of Cultural Spirit of "May 4th Movement" to Northeast Writer Group s Novel Creation;
“五四”文化精神对东北作家群小说创作的影响
14.
Another View of the Northeastern Writers Group--Argument of Xiao Hong and Luo Binji s Composition;
东北作家群中的别样景观——萧红、骆宾基创作论
15.
Shaman Cultural Spirit vs Northeast Group of Writers Fictional Creation;
萨满文化精神与东北作家群的小说创作
16.
Comedy of Northeastern Writers Group's Creation in Field of Folk Life
民俗生活场域中东北作家群创作的喜剧性
17.
northeast by east
东北偏东(即东北偏东°15′写作°15′E)
18.
The criticism of Xiao Hong, as a female creating body among the northeast writer group, is often drowned by the collectives and its individual tendency is neglected.
萧红作为东北作家群当中的女性创作主体,对她的批评往往被湮没在群体当中,忽视其个案的倾向。