1.
Analysis on Thriving of Jian an Poetry and Withering of That of Kingdoms Shu and Wu;
建安诗歌繁兴而蜀吴诗歌凋敝原因探析
2.
Poesy taste in Jian-an Age;
建安诗歌的审美追求——从曹丕的“诗赋欲丽”谈起
3.
On the Relationship between The Old Nineteen Poems and Jianan Poems from the View of Linguistics
从语汇语句角度考量古诗十九首与建安诗歌
4.
An Analyses on the Inherited Relationship between the Style of the Zhengshi s Poetry and the Style of the Jian an s;
试析正始之音对建安诗风的继承关系
5.
On the Reestablishment of the Personality of Poets in the Period of Jian an --an Initial Study of the Style of Jian an Poetry;
论建安诗人个体人格之重建——建安时期诗歌创作的时代风格之形成研究之一
6.
On the Affects of the Banquet Activities in the Late Yexia Period to the Jian’an Poetry;
论邺下后期宴集活动对建安诗歌的影响
7.
Jian an Style and Youxian Poem--A Close Look at Caocao s Youxian Poem;
“建安风骨”与游仙诗——曹操游仙诗探微
8.
On the Functions of Jian’an Banquet Poetry--Concurrently Compare with Banquet Poetry in The Book of Songs
论建安宴饮诗的功能——兼与《诗经》宴饮诗比较
9.
Poetic Buildings:Perceive Tadao Ando's Architecture
诗意的建筑——读安藤忠雄建筑有感
10.
On The Rise of Female Theme of Jian An Five Characters Poetry --Also on the Author of “The Poem of Yuan”;
论建安五言诗女性题材的兴起——兼论《怨诗》的作者
11.
On Selecting the Poets of Jian anqizi of Yiwenleiju;
论《艺文类聚》对建安七子诗的选录
12.
Poetic Space of the Hui Residential Building and Tadao Ando's Building
论徽派古民居与安藤建筑的“诗性”空间
13.
The Poetic Beauty in the Cultural and Geographical Vision: The Aesthetic and Cultural Connotation of Cbang’an Architecture and the Poetry of Tang Dynasty;
文化地理视野中的诗美境界——唐长安城建筑与唐诗的审美文化内涵
14.
Jianan and Zhengshi Writer s Officials as a Class Mindset and Their Poem Text;
建安与正始文人不同仕宦心态及其诗文
15.
The Poetic Appearance of War Wonders:“Beauty of War” in Jian an Literature;
战争奇观的诗化显现——论建安文学中的“战争美”
16.
On the Rise of Jian an Banquet Poetry-- Also on the author of “The Wonderful Banquet Tonight”;
论建安游宴诗的兴起——兼论《今日良宴会》的作者
17.
The Scholars Literary Activities in Jian an Period and the Demonstration ofthe Values of Poetry and Prose Poetry;
建安文人文学活动与诗赋价值观的凸现
18.
THE CHANGE IN RELATIONSHIP BETWEEN POETRY AND MUSIC DURING THE JIAN AN PERIOD;
建安时代诗—乐关系之新变动——以“魏之三祖”为中心