1.
On the Standard and Evolution of Poetic-style of Chinese Ancient Poetry in Liuxie Poetry Ontology;
论刘勰诗本体论诗体的规范与进化观
2.
Rule and change: the Standard and Evolution of Poetry On Liu xie Poetic-style idea of His Poetic Ontology;
有方与通变:诗体的规范与进化──论刘勰诗本体论中的诗文体观
3.
Dispelling of the 20th Centry s Poerns Styles and Restructure of Poems Qriginal Meanings--On The Art of New Poets in China;
20世纪诗体的消解与诗本体意义的重构——评《中国新诗艺术论》
4.
Interpretation of New Poetry from Perspectives of Schools of Thought--On On Art of New Poetry;
流派视角的新诗本体解读——评《新诗艺术论》
5.
Poetry Ontology of the School of Modern Poetry Under the Perspective of the Inter-subjectivity
主体间性视域下的现代诗派诗学本体论
6.
From Group Poetics to Personal Poetics: A Basic Rule in the Development of the Preliminary Poetic History;
从群体诗学到个体诗学——前期诗史发展的一种基本规律
7.
On the Fundamental Differences between Chinese and English Free Verse;
有体与无体:中西方自由诗的本质差异
8.
The Poetic Chinese Language Glittering in the New Poem Texts in Combination of Form,Sound and Meaning;
新诗的汉语诗性灿亮于形音义一体的文本
9.
The Rise of Poets in South Song and the Local Poetical Style s Succession in Wenzhou;
南宋诗人群体的兴起与温州本土诗风的传承
10.
VOICE OF POEM AND VOICE OF MUSIC: AN ONTOLOGICAL EXPLANATION OF POETRY;
诗之声与乐之音——关于诗的本体论阐释之三
11.
Further Discussion on the Poetic Value of CHEN Yin-que s Commentary on Tang poems;
诗境营造和人生本体对象化——陈寅恪唐诗笺证的诗学价值四论
12.
Shakespeare's plays are written in blank verse.
莎士比亚的剧本是用无韵诗体写的。
13.
"The Genre" and "the Form"-A Review on Text Study of Chinese Poetry;
“体”与“式”——中国诗学的文本范型论
14.
On the Co- Coostructure of Life and Language in the Third - Generation Poetry;
论“第三代诗”生命与语言的本体同构性
15.
Symbol: Sign and Metaphor --Discussion of the poetic origin of symbol of ontology;
象征:符号与隐喻——象征本体论诗学探源
16.
The Ontology of Story: The Profundity of Wang Meng′s Ontological Poetics
故事的形而上:王蒙本体论诗学奥蕴
17.
While a lonely poet focuses on the body, the solitary poet describes the blood and tears from the body.
寂寞的诗人关注肉体本身，孤独的诗人描述肉体流淌出来的血泪。
18.
The Methodology Meaning of Jiang Yan s Miscellaneous Poems;
江淹《杂体诗》的方法论意义——兼驳《杂体诗》“非其本色”说