1.
On conceptual change in opera in early 20~(th) century
试论20世纪前期国人戏曲观念之转变
2.
Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic;
从民国前后古代戏曲文本的印行看戏曲观念之变迁
3.
Drama Fostering Spirit:The Northern View of Drama-On Duan’s Doctrine of“Drama Fostering Spirit” in Jishan, Shanxi in Jin Dynasty;
戏养神:金代北方民间的戏曲观——山西稷山金代段氏“戏养神”砖铭论
4.
A Study of China's First National Traditional (Chinese) Opera Festival
第一届全国戏曲观摩演出大会的调查与研究
5.
A Study of China's First National Traditional Opera Festival
“第一届全国戏曲观摩演出大会”全程描述
6.
The Value of Drama Historical Data about Du Yinyuan s Watching Plays Diary;
试论《杜隐园观剧记》的戏曲史料价值
7.
Influences of Asceticism of Zhu and Cheng on the Plays of Late Ming Dynasty;
程朱理学禁欲观念对晚明戏曲的影响
8.
The discussion on the traditional opera and "certain literature in each time";
“一代有一代之文学”观与戏曲身份认同
9.
On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;
试论清代戏曲、小说对文学史观的贡献
10.
A General View of Some Modern Minority Nationalities Traditional Opera (1949-1966);
当代若干少数民族戏曲发展概观(1949——1966)
11.
The Breakthrough of the Traditional Ideas of Dramatic Criticism by L(u|¨) Tiancheng’s“Qupin”;
试论吕天成《曲品》对传统戏曲批评观念的突破
12.
Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;
没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
13.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
14.
How will the Chinese Opera face the Time of Cultural Economy?--The Problem of Audience and the Market Strategy;
戏曲如何应对文化经济时代——戏曲的观众问题与市场策略探析
15.
The Audiences Aesthetic Awareness and the Realization of theAesthetic Values in the Traditional Chinese Opera --On the Reform and Approach to Modern Operas;
观众审美意识与戏曲审美价值的实现——兼谈现代戏曲的改革与途径
16.
On the Evolution of the Concept of Women s Chastity by Terms of the Legendary Drama in the Late Ming and Early Qing Dynasty;
论明末清初传奇戏曲中妇女贞节观念的嬗变
17.
Drama Author s Concept of Privacy and Confucian Philosophy;
戏曲文本作者的仕隐观与儒家出处哲学
18.
Research on Li Yu s opera theory and audience orientation in opera writing;
李渔的戏曲理论与创作中的观众学初探