1.
On the Relationship between Chinese Realism Dramas and the Western Inherent Dramas;
中国现实主义话剧与西方内向型戏剧
2.
The Tragicomedy as a Dramatic Genre Sublimated to an Aesthetic Category;
悲喜剧:由戏剧类型向审美范畴升华
3.
Comparison between the Cultural Connotations in "Newly Edited Stories" and the Teleplay Series of "Playful Interpretation" History;
《故事新编》和“戏说”型历史剧文化内涵之比较
4.
The Dramatic Trend:The Children’s Musicals by Li Jinhui as Drama;
走向戏剧性——作为戏剧作品的黎锦晖儿童歌舞剧
5.
Ouyang Yuqian s "Plebian Theatre Movement";
戏剧运动的新路向——论欧阳予倩的“平民戏剧运动”
6.
The lights went down in the theatre just before the play began
戏剧开演前，剧场内的灯光暗了下来。
7.
On the "Reversion" of Future Dramas to Nuoyuanxi;
试论未来戏曲向傩愿戏等祭祀戏剧的“返祖”
8.
Our school dramas tend towards comedy and farce.
我们学校编排的戏剧倾向于喜剧和滑稽剧。
9.
Early Modern Drama: The Prologue to the Modernization of Chinese Theatre;
早期话剧:中国戏剧现代转型的序幕
10.
Transformation of Traditional Drama as seen in Model Opera;
从“革命现代京剧”看传统戏剧的转型
11.
From Jiaodi to Baixi--On the Artistic Trend of Chinese Drama in the Period of Qin and Han Dynasties;
从角抵到百戏——秦汉时期中国戏剧的艺术走向
12.
The Traditional Opera Factors in Dream of the Red Chamber and the Trend of Dramatizing;
《红楼梦》中的戏曲因素及其戏剧化衍生的倾向
13.
The middle part of a play that develops the action leading to the catastrophe.
剧情发展部分戏剧中间部分，把情节推向高潮
14.
On the connotation of "drama" and "traditional opera" proposed by Wang Quowei;
王国维“戏剧”、“戏曲”内涵之我见——与冯健民先生商榷
15.
The romance versus the drama. Romance turns to politics eventually.
罗曼史对于戏剧。罗曼史最终转向政治。
16.
a drama executed by throwing shadows on a wall.
通过向墙壁投射影子演出的戏剧。
17.
The Naturalistic Tendency in Eugene O Neill s Drama Creation;
尤金·奥尼尔戏剧创作的自然主义倾向
18.
Western Women s Theatre in China: Translation,Critic and Direction;
译介·批评·方向——西方妇女戏剧在中国