1.
To Study the Evolution of Erhu from the Performances and Compositions in Different Periods
从不同时期二胡的演奏和创作来看二胡演奏的演进
2.
The Impacts of Erhu Transplanting and Music Adaption on Erhu Arts
二胡移植、改编乐曲及其对二胡演奏艺术的影响
3.
On the Thought of Emotion Processing in Erhu Performance;
关于二胡演奏中情感处理的几点思考
4.
A Superficial Talk on the Combination of Techniques and Non-technique Factors in Playing the Erhu;
谈二胡演奏中技巧与非技巧因素的关系
5.
On the Process and Conditions of the Formation of Playing Movement Techniques of Erhu
论二胡演奏动作技能形成的过程与条件
6.
On the Humanity Outlooks on Music Instruments by Gou Yongseng:National-Cultural Implications in Playing Erhu
二胡演奏中的民族文化蕴涵——苟永森的人文“琴学”观审视
7.
The Communication and the Unscrambling of the Information of the Music Culture--Revelation form the art pursuing of Erhu player and educationist Liu Chang-fu;
音乐文化信息的传达与解读——二胡演奏家、教育家刘长福艺术追求的启示
8.
The regularity of physics and the hand-gesture science in playing erhu do a research in physics combined art;
物理规律与二胡演奏中手形的科学性——物理与艺术结合研究探索之一
9.
What did they play? Dad played the erhu. And Mum played the pipa.
他们演奏什么？爸爸演奏了二胡,妈妈演奏了琵琶。
10.
Well, it's an erhu, a kind of fiddle played with a bow.
那叫二胡，是一种用弓演奏的琴。
11.
On the Bow Movement in LIU Tian-hua s Erhu Music;
刘天华二胡曲演奏中的运弓技术研究
12.
Erhu (Two-Stringed Fiddle) of String and Bamboo of South Yangtze River Root and Flower and the Dramatic Intonation Performing Tradition;
江南丝竹二胡源流与“声腔化”演奏传统
13.
On the Composition and Performance Art of the Urheen Concerto "Capriccio of the Great Wall";
论二胡协奏曲《长城随想》的创作和演奏艺术
14.
The composer uses overtones for the first time, to extend the power of expression of the instrument and broaden the range of the tune.
作者首次在二胡上使用泛音演奏，扩展了二胡的表现力，
15.
Key Points of Performing Erhu Melody--Sunlight Shine on the Taxkorgan;
二胡曲《阳光照耀着塔什库尔干》演奏析要
16.
A Study on the Aesthetic Experience of Sound Intensity in the Teaching and Playing of Erhu;
谈二胡教学及演奏中音乐力度感的审美体验
17.
The Composing Characteristic and Performing Elements of the Erhu Concerto Jiang He Yun Meng;
二胡协奏曲《江河云梦》的创作特点及演奏艺术要求
18.
The Comparative Study on the Playing Techniques of Erhu and Gaohu between the Jiangnan Sizhu and Guangdong Yinyue
江南丝竹、广东音乐中二胡与高胡演奏技法之比较研究