1.
Mongolian Poet BO MING and His YI SHAN SHI HUA
清代蒙古诗人博明与其《义山诗话》
2.
Bitter Dream in Rosy Window: Li Shangyin s Poems Penetrating Influence on Wu Wenying s Ci;
绮窗凄梦:词中之商隐——试论义山诗对梦窗词的穿透性影响
3.
Li Shangyin s Ye-yu-ji-bei and Explanation of his Poem;
楚雨含情皆有——李商隐《夜雨寄北》暨义山诗歌之读解
4.
A copy of selection,explanation and comment of LI Shang-yin s poems which had lost for many years in China--A review of Explanation of the poems of LI Yi-shang which is coexplaned by XU and LU;
一部国内失传多年的李商隐诗选疏选评本——徐、陆合解《李义山诗疏》评介
5.
A Puzzling Comparison of Poem Context and Word Contextbetween YiShan’s Love Poem and BaiShi’s Love Word;
徘徊于诗境与词境之间的义山情诗与白石情词
6.
"Yishan Style" Untitled Poems in the Song & Yuan Dynasty and Their Diffusion to Korea
宋、元“义山体”《无题》诗风及其东传
7.
Chinese Ancient Landscape Poetry and English Romantic Poem--in the Ecological Visual Angle;
生态视角下中国古代山水诗与英国浪漫主义诗歌之比较
8.
On the Significance of Poetic History in Zhao Zhixin s Poetics;
“越佚山左门庭,弃其家学”——兼论赵执信诗学的诗史意义
9.
Comparison of the Aesthetic Consciousness Reflected in Chinese Classical Scenic Poems and English Romantic Poems;
中国古典山水诗和英国浪漫主义自然诗美感意识之比较
10.
On Aesthetic Characteristics of the Landscape Poem and It to the Meaning of the Tour Construction;
论山水诗的审美特性及其对旅游建设的意义
11.
The Reason for Liu Changqing s Poem Belonging to the Tang Dynasty Landscape Style;
刘长卿归属盛唐山水诗派的理由、意义及其他
12.
Comment of Yishan in Light of Candle Light--Image Enjoyment of Lamps and Candles in Lishangyin Poem;
烛光灯影话义山——李商隐诗中灯烛意象赏析
13.
Function words and the emotions and moods expressed in LI Shang-yin s modern style verses;
虚词与李义山近体诗所表现的情感与心态
14.
To Move in Words and Psychology On LI Yi-shan's Poem "Without Title"
话语与心理变迁——再论义山的一首《无题》诗
15.
The great romantic poet LI Bai once passed here, and left his well-known poem" Wang Tianmenshan Hills".
唐代伟大的浪漫主义诗人李白曾路过此处,留下著名的《望天门山》。
16.
Alexander Pope: A Classicist with Romantic Passion
亚历山大·蒲柏：一位充溢着浪漫气质的古典主义诗人
17.
Being Clear,Melodic and Poetic--The Contemporary Significance of Dong Qichang s Landscape Paintings;
空明澄澈 诗意境象——论董其昌山水画艺术及其当代意义
18.
Significance of "Instant Aesthetic Invigoration" in the Formation of Poetic Image in Mountain-water Poetry;
从“有句无篇”到“兴象玲珑”——“当下”的审美感兴对山水诗意境创构的意义