1.
Ci Poets in the Late Qing Dynasty:Their Ci Theory and Their Theory of Criticism;
论晚清词学家的词学理论及其批评实践
2.
Literary Trends in the Late Qing Dynasty and Transformation of Modern Lexical Studies;
晚清文学思潮与近现代词学批评的转型
3.
New Coinage of Legal Vocabulary in Late Qing Dynasty and Impact on Relation with Japan;
晚清法学新词的创制及其与日本的关系
4.
Mengchuang ci Changed the Style: the significance of the canonization of Wu Wen-ying s ci theory by the four masters in the late Qing Dynasty;
以梦窗词转移一代风会——晚清四大家推尊吴文英的词学主张及意义
5.
The Scholarly Genealogy of Literature in Modern China--From "Letter" to "Fine Arts" and to "Literature";
晚清民初“文学”学科的学术谱系——从“词章”到“美术”再到“文学”
6.
The Concept Interpretation of Shanghai Lithograph Lyrics to Dagu in the Republic of China in Late Qing Dynasty;
晚清民国“上海石印鼓词”概念阐释
7.
The coexistence and interaction of the Changzhou School and Zhexi School of poetry in late Qing Dynasty;
论晚清词坛“常”、“浙”两派的共存与交融
8.
Borrowing Words from Japanese in the Late Qing Dynasty and Early Period of the Republic of China and Its Apocalypse
晚清民初日语词汇进入汉语及其启示
9.
"Word-Annotation" in the Late Qing Dynasty
晚清“词语-注释”:汉语欧化与知识建构
10.
Study on the Famous Ci Poem of Tang and Song dynasty in the Ci Anthologies Compiled in the Late Qing and Republic of China
略论晚清民国词选中唐宋“名家词”的形成
11.
The Research of New Culture in Hubei during the Later Qing Dynasty 1889-1911;
晚清湖北新学研究（1889—1911）
12.
Reflections on Li Qing-zhao s Ci Lun;
从诗词关系看李清照《词论》的词学意义
13.
Common Emotion Tendency and Aesthetic Traits of Four Great Masters in Qing Dynastry;
晚清四大家词共通的情感倾向及其审美特征
14.
Forewords to Periodicals of Modern Novels and New Change in Concept;
晚清民初小说期刊发刊词与小说观念的新变
15.
On the Atmosphere of Night in Li Qingzhao s Ci;
永夜恹恹欢意少——浅论李清照词的夜晚氛围
16.
Women Writers Rhymed Novels Under the Late Qing Dynasty and “Rejuvenating Female Rights”;
闺中无静女——晚清女作家弹词与“振兴女权”
17.
Emergence and Significance of the Female Storytellers' Career Since Late Qing Dynasty
晚清以来“女弹词”职业生涯的呈现及其意义
18.
On the Style-breaking,Style-following and the Respect of the Literary Genre of Ci-poetry in the Ci-poetry Study in the Qing Dynasty;
清代词学中的破体、辨体与推尊词体