1.
"Four Appropriateness" in Singing the Tenor Part of Puccini s Aria;
演唱普契尼男高音咏叹调的四个“到位”
2.
On the Processing of the Teaching and Singing of Puccini s High-piched Aria;
普契尼男高音咏叹调的教学与演唱处理
3.
The Study of Singing Style of Aria Pourquoi Me Reveiller in Opera Wether
歌剧《维特》中男高音咏叹调《为何唤醒我》演唱风格阐释
4.
The soprano is singing an aria onstage.
女高音歌唱家正在舞台上演唱咏叹调。
5.
The Research on the Singing Style of Baritone Aria in Verdi's Opera
威尔第歌剧男中音咏叹调演唱风格研究
6.
On Characteristic and Sung Style Research of Puccini s Four Head Soprano Arias;
普契尼四首女高音咏叹调特点与演唱风格研究
7.
On Performing and Teaching of Puccini s Soprano Arias;
普契尼歌剧中女高音咏叹调的演唱与教学
8.
A Study on the Arias of Sopranos of Handel s Operas in the London Period;
亨德尔伦敦时期女高音歌剧咏叹调研究
9.
On the Four Types of Aria of Sopranos in Mozart s Operas;
论莫扎特歌剧中女高音咏叹调的四种性格类型
10.
Differences of Soprano Aria Singing between Verdi and Puccini;
威尔第与普契尼女高音咏叹调的演唱差异
11.
The Artistic Treatment of Ten Soprano's Arias in Puccini's Operas
普契尼歌剧中十首女高音咏叹调的艺术处理
12.
On the Singing of Soprano Aria Based on an Analysis of the Musical Characteristics of Puccini s Operas;
论普契尼歌剧音乐特征之下的女高音咏叹调的演唱
13.
operatic music, singers, scores,arias
歌剧音乐、 演员、 总谱、 咏叹调
14.
The audience applauded after the soprano sang the aria so beautifully.
女高音将咏叹调唱得十分优美, 观众爆发出热烈的掌声。
15.
Survey on Artistic Characteristics and Performance Style of Verdi s Soprano Arias in Different Periods;
威尔第不同时期女高音咏叹调艺术特色与演唱风格之探究
16.
On Singing Style of Three of Rossini s Coloratura Mezzo-soprano Arias;
罗西尼三首花腔女中音咏叹调的演唱风格研究
17.
Mozart Concert Arias and Their Application in Singing and Teaching;
莫扎特音乐会咏叹调在演唱和教学中的应用
18.
(See Butterfly's Aria).
（见《蝴蝶夫人的咏叹调》）