1.
The Textual Type and the Interpretation of han-guchuinaoge-shibaqu;
《汉鼓吹铙歌十八曲》的文本类型与解读方法
2.
The Study of Creation Characteristic of Chinese Art Song during the 1980 s;
二十世纪八十年代中国艺术歌曲创作特征概述
3.
southwest Shandong Province's percussion and wind, Liaoning Province's percussion and wind and the shipan music of Luoyang City.
鲁西南鼓吹乐、辽宁鼓吹乐、洛阳十盘乐。
4.
Over 500 such songs have been excavated from Dunhuang alone, and the titles of 70 or 80 others have been found there.
仅仅敦煌发现的曲子歌曲就有500多首，涉及的调名七八十种。
5.
Hans Zender: Cantos Ⅳ,for Sixteen Voices and Instruments;
汉斯·岑德的《歌曲集Ⅳ─—十六声部声乐和器乐》
6.
On Guchui Music and Hengchui Music in the North of China in Han-Wei Dynasties and They Pass to the South
汉魏以来北方鼓吹乐横吹乐及其南传考论
7.
On the Relation between Hanquof Liaoning Guchuiyue (drum and suona music) and Daqu of the Tang Dynasty;
浅析辽宁鼓乐“汉曲”与唐代大曲的关系
8.
Barbary whistled a Ronssllon fisherman's song.
巴伯里用口哨吹一支罗士兰渔民歌曲。
9.
The Eighteen to the front!
十八家好汉到前面去！
10.
Percussion and wind ensembles native to the northern region include Xi'an percussion and wind, Shanxi Province's badatao, the orchestras of central Hebei Province,
如属于北方鼓吹乐种的有:西安鼓乐、山西八大套、冀中音乐会、
11.
the fans' adulation of their favourite pop stars
歌迷们对他们所喜爱的流行曲歌手的吹捧.
12.
a German art song of the 19th century.
十九世纪的德国歌曲。
13.
The songs we heard last night were most inspiring.
昨晚我们听的歌曲很令人鼓舞。
14.
The Developing Process of Yuefu Guchui Poems in Nan and Bei Dynasty;
南北朝时期乐府鼓吹曲辞的文人化进程
15.
Eighty! Eighty! Eighty yuan!
八十！八十！八十元！
16.
"Has taken on new magic through later use in China. And now the Tartar from Liangzhou, Blowing it for me,"
流传汉地曲转奇, 凉州胡人为我吹;
17.
In the performance, seven to a dozen fishermen dressed up like women by putting on a woman match-maker’s apparel
大奏鼓的表演是由七至十几个渔家汉子男扮女妆，身穿类似戏曲中的媒婆服饰，
18.
The singer got a ten-minute standing ovation.
观众起立向那位歌手鼓掌达十分钟.