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1.
Discussion on the ideological sources of Lawrence s novels;
论劳伦斯小说艺术创作观念的思想渊源
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"After 80s" Printmaking Briefly the Development of Artistic Creation Concept
简述“80后”版画艺术创作观念的发展形成
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FROM "CREATE SOMETHING FROM NOTHING" TO "CREATE NOTHING FROM SOMETHING" On Shift of Art Creation Conception in Contemporary West
从“无中生有”到“有中生无”——西方当代艺术创作观念的转换
4.
Another Form from the Consideration of Notion -the artistic creation notional deviation of "the Red Classic"revised teleplav;
另一种形式的“从概念出发”——“红色经典”改编剧在艺术创作观念上的偏离与迷失
5.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
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Influence of Western Contemporary Art Concepts on Architectural Creation;
西方当代艺术观念对建筑创作的影响
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Analyze the Conception of Artistic Innovation of Sui and Tang Dynasty Through Dight Art Works;
从八件艺术作品看隋唐时期的艺术创新观念
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Discuss the Relation of Humane Sexual Standards and Technological Sexual Standards in the New Media's Artistic Creation Simply
浅谈新媒体艺术创作中的人文性观念和技术性观念的关系
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SEEKING MYSELF──The elaboration of the creative concept of American Abstract Expressionistic art;
找寻自我──论美国抽象表现主义艺术的创作观念
10.
Material, Concept, Crafts and Arts--unsystematic comments on the creation of large purple clay relief
材料、观念、工艺和艺术——散论大型紫砂陶浮雕的创作
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ON THE ARTISTIC CREATIVE IDEA OF RODIN BY ANALYSING OLD STREETWALKER
从《老娼妓》看罗丹的艺术创作理念
12.
artists or writers whose ideas are ahead of their time.
其观念领先于时代的艺术家或作家。
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Exploring and Regulating the Kernel Conce pt of Cultural and Artistic Creativity Industry;
探究和厘清文化艺术创意产业的核心观念
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From"art for life s sake"to "art for art s sake;
从“为人生的艺术”到“为艺术的艺术”——周作人文学观念变迁轨迹之描述
15.
Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;
以郑燮竹论观艺术创作中的笔墨思维
16.
On Nabokov s Views on Artistic Creation as Illustrated in Despair;
《绝望》对纳博科夫艺术创作观的阐释
17.
American Permanent Artistic Charm of the Rhetoric--The creation of China's folk fine arts and modern artistic theory
永久性的艺术魅力——中国民间美术的创作与现代艺术理念
18.
"Roots" Literature and the Transition of Fiction Conception durang the New Period-A Case Study of Han Shaogong s Literature Creation in the 1980 s;
寻根文学与新时期小说艺术观念的转型——以韩少功20世纪80年代创作为中心