1.
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
2.
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
3.
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
4.
The Manifestations and Causes of Yuan Multi-opera Writes Personality Ideal in Shuihu Plays;
元杂剧作家人格理想在水浒戏中的表现及成因
5.
The Analysis of the Femanine charcters and the trgical reasons in Biography of Shuihu.;
浅析《水浒传》中女性形象及其悲剧成因
6.
The Waterside Legend": a tragedy of acting against one will;
《水浒》:知其不可为而为之的悲剧
7.
Viewing the Tragic Consciousness in the "Shuihu Zhuan" from the Angle of Tragic Psychology;
从悲剧心理学的角度看《水浒传》的悲剧意识
8.
From Song jiang s Thoughts of Confucianism and Taoism Looking at Tragedy Outcome of Water Margin;
从宋江的儒道思想看《水浒传》的悲剧结局
9.
On Retort and Tradegy in Pan Jinlian’s Character;
摭论《水浒》潘金莲思想性格的抗争性与悲剧性
10.
“Two-Version” or “Two-Segment”: A Review of the Debates on Water Margin;
“两种《水浒》说”与“两截《水浒》说”论争述评
11.
"The period of the Yuan dynasty saw a remarkable flowering of zaju, "variety or miscellany plays". Not only was there a wide range of themes, but the poetry written as librettos for the arias was of the highest standard."
元朝时，杂剧相当盛行。杂剧不仅题材广泛，唱词也达到了最高水平。
12.
Gensou Suikoden Card Stories
幻想水浒传-卡片传说
13.
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
14.
An ideological research and analysis of Water Margin in 20th century;
20世纪《水浒传》思想研究及《水浒传》思想论析
15.
Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;
《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》
16.
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
17.
On the Heroine Images in the Novels of Shuihuhouzhuan,Houshuihuzhuan and Dangkouzhi;
论《水浒后传》《后水浒传》《荡寇志》中的女英雄形象
18.
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象