1.
"Culture Context" and " Artistic Destiny"──on "CaoYu phenomenon" in modern literature;
“文化语境”与“艺术命运”——论当代文学思潮中的“曹禺现象”
2.
Inherent Defects of the “Cao Yu Mode" --Female Images in Cao Yu s Dramas;
“曹禺模式”的先天缺陷——论曹禺戏剧中的女性形象
3.
The Human Nature Recovery And Contending--Comment On Female Images in Cao Yu Play And His ViewPoint Of Female;
人性的复苏与抗争——论曹禺剧作中的女性形象兼及曹禺的女性观
4.
A Comparative Study of Plays by O neill and Caoyu;
论奥尼尔和曹禺戏剧意象的设计——奥尼尔和曹禺戏剧比较研究之一
5.
On Detailed Artistic Techniques of CaoYu s Dramas;
象牙的雕刻——略论曹禺戏剧的细部艺术
6.
The Symbolism and The Champaign;
论曹禺剧作《原野》中的“象征主义”
7.
Life of no Dream Comment on “the Superfluous Persons” in Cao Yu?s Dramas
无梦的人生—─论曹禺剧作中的“多余人”形象
8.
On the Criticism of Civilization-Comment on the Theme of the Play Wilderness by Cao Yu from Image Theory;
文明的批判——从戏剧意象论曹禺《原野》的主题
9.
Heaviness and Lightness of Life--Analyze the Use of Symbolism and Metaphor in Cao Yu s Dramas Superficially;
生命的沉重与轻盈——浅析曹禺剧作的整体象喻
10.
A Brief Discussion on the Woman s Character of theTragedy in the Early Drama of Cao Yu;
试谈曹禺早期戏剧女性形象的性格悲剧
11.
Modernity of Spiritual Connotation in the Dramas of Cao Yu and Ibsen
曹禺和易卜生戏剧精神内涵的现代性表现
12.
Between Tradition and Modern --An Explanation to Cao Yu s Dramatic Speech;
传统与现代之间——曹禺戏剧话语的一种阐释
13.
Comparison of main character images in Sunrise and A Country of Snow--Discussion on tragic consciousness of Cao Yu and Chuanduan Kangcheng
由《日出》、《雪国》中主要人物形象比较——看曹禺与川端康成的悲剧意识
14.
The Winner of Exploration of New Life -Some Thoughts on Image-building of Fan Yi, Chen Bailu and Su Fang in Cao Yu s Drama;
探索生活新路的强者——论曹禺话剧中繁漪、陈白露和愫方的形象塑造
15.
Female Tragedy and Male Dreams--Female Figures in the Early Period of CAO Yu s Playwriting;
女性悲剧与男性梦想——论曹禺前期剧作的女性形象
16.
On the Creation of Female Characters in Cao Yu s Tragedies in the View of Women s Rights;
以女性意识的视角观照曹禺悲剧中的女性人物形象
17.
A Suvey of the Characterization of Cao Yu s Female Characters--from the View of Women s Sense;
论曹禺对女性人物形象的塑造——以女性意识为观照视角
18.
The Change of CAO Yu s Creation Heart Form and Beauty Appreciation Style From His Two Kinds of Female Images Dramas;
从曹禺戏剧两类女性形象看其创作心态和审美风格的变化